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Dr Caterpillar

Havant, United Kingdom
  • 57
  • reviews
  • 118
  • helpful votes
  • 58
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  • The Darkwater Bride

  • An Audible Original Drama
  • By: Marty Ross
  • Narrated by: Clare Corbett, Donal Finn, Jamie Glover, and others
  • Length: 6 hrs and 45 mins
  • Original Recording
  • Overall
    4.5 out of 5 stars 110
  • Performance
    4.5 out of 5 stars 106
  • Story
    4 out of 5 stars 104

Late Victorian London. When James Miller, the most respectable of Scottish businessmen, is pulled, dead, from the Thames, his daughter is drawn into an investigation which reveals a whole world of secrets and corruption. Alongside local detective Culley, Catriona’s search for her father’s killer leads all the way to the tragic truth behind the ghostly legend of The Darkwater Bride and the power of her deadly kiss. An epic drama starring Adrian Scarborough, Claire Corbett, Freya Mayor and Jamie Glover, The Darkwater Bride combines the genres of the Victorian mystery thriller with the equally classic Victorian mode of the ghostly tale.

  • 4 out of 5 stars
  • Ghostly Thriller With a Dark Heart!

  • By Simon on 30-10-18

All men are evil misogynistic scum

Overall
3 out of 5 stars
Performance
5 out of 5 stars
Story
3 out of 5 stars

Reviewed: 04-11-18

I was really looking forward to this one. A detective story set in Victorian times, that may or may not have a supernatural element - perfect fare for Hallowe'en, I thought.
Sure enough, the performance evokes a rich atmosphere. It's thoroughly immersible, and so vivid you might later forget it was an audio play and think you saw it as a high-budget TV drama.
The thing that spoils it, in my opinion, is the relentless message that women have miserable lives entirely because of men. With one or two exceptions, all the male characters in this drama are portrayed as violent, contemptuous, exploitative or abusive towards women and girls, with nearly all of them wanting to commit rape or murder. Granted, most of the action takes place in the less salubrious parts of Victorian London, but even when the narrative moves further afield, the males are still irredeemable. It not only stretches credibility, it makes the story monotonous - and besides, we get enough of this sort of thing from the BBC.

1 of 6 people found this review helpful

  • Plague Pits & River Bones

  • The Detective Lavender Mysteries, Book 4
  • By: Karen Charlton
  • Narrated by: Michael Page
  • Length: 10 hrs and 9 mins
  • Unabridged
  • Overall
    4.5 out of 5 stars 231
  • Performance
    4.5 out of 5 stars 203
  • Story
    4.5 out of 5 stars 202

London, 1812: Treacherous gangs roam the capital, and not even the Palace of Westminster is safe. When Detective Stephen Lavender is called in to investigate a highway robbery and a cold-blooded murder, both the cases take a dangerous and disturbing personal twist.

  • 5 out of 5 stars
  • Love how

  • By Kevin on 21-02-18

The Smiling Detective

Overall
3 out of 5 stars
Performance
4 out of 5 stars
Story
3 out of 5 stars

Reviewed: 03-11-18

I'm not normally one for "drinking game" jokes, but if you take a sip every time you hear the words, "Lavender smiled," you won't have any liver left by the end of this book.
I found this book moderately entertaining in places, but quite unfocused. It's a problem with books based on actual history: things happen in the story because they really did happen. For example, the opening chapter has Lavender's sidekick having to deal with an escapee from a mental institution who thinks he's an Old Testament prophet, and who likes to go naked. This is nowhere near as amusing as Karen Charlton seems to think (at least not the way it plays out), and it has very little bearing on the rest of the book, but yeah, it happened, so it goes in. Compare with Raymond Chandler, who will often have Marlowe sum up a recent case in three or four sentences.
The main characters are fairly likeable, and I quite enjoyed Ms Charlton's 1812 England, but I don't think I'll be choosing any of the other books in the series.

  • Priestess of the Nile

  • By: Veronica Scott
  • Narrated by: Felicity Munroe
  • Length: 2 hrs and 29 mins
  • Unabridged
  • Overall
    3 out of 5 stars 3
  • Performance
    3 out of 5 stars 2
  • Story
    4 out of 5 stars 2

Drawn to his abandoned temple on the banks of the Nile by an enchanting song, Sobek the Crocodile God is even more captivated by the sight of the singer herself. Appearing to her as a man, he learns she is Merys, a descendant of his last priestess. Though filled with lust, Sobek believes Merys deserves to be more than just his mistress. But the rules that govern the Egyptian pantheon forbid anything beyond a physical joining of a Great One and a human.

  • 3 out of 5 stars
  • Walk Like An Egyptian Crocodile God

  • By Dr Caterpillar on 03-08-18

Walk Like An Egyptian Crocodile God

Overall
3 out of 5 stars
Performance
3 out of 5 stars
Story
3 out of 5 stars

Reviewed: 03-08-18

This is no classic but it's not bad either.
It's an odd mix of historical, fantasy and woman's erotica.
Let's start with the erotica (naturally). It's as girlie as you'd expect, which is no criticism. But in among the formal language, which at times borders on twee, it seems out of place that Sobek's male organ is exclusively referred to as his cock. It would have been less jarring if it had been called his manhood, his penis, his member, or even (let's face it) his willy. After all, the formal-bordering-on-twee language is used whenever Merys's anatomy is mentioned - no mention of "pussy" or "front bottom" here!
Regarding the history, well, it's reasonably convincing. And in terms of fantasy, it's a bold and welcome move to see the Egyptian gods treated as real. Sobek is King of the Crocodiles, and this is put to good use in the story. The theology you probably learned in school - heart weighed against a feather before you enter the afterlife - is all in place.
In short, I enjoyed this book, but didn't feel compelled to continue with the next book.

  • Orkney Twilight

  • By: Clare Carson
  • Narrated by: Scarlett Mack
  • Length: 12 hrs and 8 mins
  • Unabridged
  • Overall
    3.5 out of 5 stars 19
  • Performance
    3.5 out of 5 stars 18
  • Story
    3 out of 5 stars 19

Jim says he's an undercover policeman. His daughter, Sam, thinks he's a liar. On holiday in Orkney, Sam spies on Jim as he runs secretive errands across the island. Why is he so interested in Norse mythology? And why does Sam have the eerie feeling that she too is being watched? When Sam finally discovers the truth, it will draw her into a dangerous world of darkness and deception....

  • 5 out of 5 stars
  • Great book

  • By MTM on 06-11-15

Boring bystander spouts platitudes

Overall
2 out of 5 stars
Performance
3 out of 5 stars
Story
2 out of 5 stars

Reviewed: 13-07-18

Despite longwindedness, this got off to a good start. I liked the fact that I didn't know if it was an undercover police story, or a spy story, or something else entirely, told from the point of view of an initially likable 18 year old young woman.

But as the narrative went on, it didn't develop as a story. Stuff happened around Sam the "protagonist". Characters turned up again later. Sam knew from her dad not to trust anyone, and as luck would have it she mistrusted and trusted the right people.

One of the reasons I gave this a chance is that my grandfather was stationed on Orkney during the Second World War. But I never got a sense of place from the book, and I think my grandfather would have got bored and irritated.

  • The City & The City

  • By: China Mieville
  • Narrated by: John Lee
  • Length: 10 hrs and 16 mins
  • Unabridged
  • Overall
    4 out of 5 stars 501
  • Performance
    4 out of 5 stars 410
  • Story
    4 out of 5 stars 409

New York Times best-selling author China Mieville delivers his most accomplished novel yet, an existential thriller set in a city unlike any other, real or imagined. When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlof the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined.

  • 5 out of 5 stars
  • Twice the city for your money

  • By Nigel on 19-05-12

I gave up on the audio and read it instead

Overall
2 out of 5 stars
Performance
3 out of 5 stars
Story
3 out of 5 stars

Reviewed: 12-05-18

It's hard to know where to start with this one.
The performance is 5 star and 1 star, so I decided this would average out as 3 star. 5 stars because I loved John Lee's pronunciation of some of the proper names, including Besel and Ul Qoma, and I kept these in mind when I gave up on the audio and read the book instead. 1 star partly because I didn't feel he was enunciating some of the other names, and he really needed to because there are a lot of characters with similar sort-of Eastern European names and I found it impossible to keep track of them. 1 star mostly because John Lee rarely uses tone of voice to distinguish between character voices, or, crucially, between dialogue and narration. At times I was wondering, "Did you just say that aloud, or is it what you were thinking?" This made it very hard to follow.
The story's underlying premise is quite a fascinating one: two cities occupying the same space, with citizens compelled to "unsee" the people, buildings, vehicles, posters and so on that belong to the "other" city. The story explores this idea to very good effect, with a few surprising twists and turns.
Less interesting is the plot. It's basically a Chandleresque murder mystery, but with less well realised characters; to be honest some of them sink into the text. [Sort-of spoiler but not really:] One of the big twists is that we suspected the seldom-mentioned character X of being the bad guy, but it turns out it was seldom-mentioned character Y.
I know I am not alone in finding the prose a struggle at times. On several occasions I had to re-read sentences or passages to work out what the author was saying. My fault? Perhaps, but then again, what do you make of this? "We whispered under the foreign shriek of a flap above us in Besel swinging in the wind."
I've read other work by the author, and found it much more engaging. The City and the City certainly has its merits, but if you're as jaded with detective fiction as I am, I would say go for one of his other books.

  • Red Sparrow

  • By: Jason Matthews
  • Narrated by: Jeremy Bobb
  • Length: 17 hrs and 55 mins
  • Unabridged
  • Overall
    4.5 out of 5 stars 965
  • Performance
    4.5 out of 5 stars 860
  • Story
    4.5 out of 5 stars 858

A Russian honey trap agent targets a young CIA operative to uncover a mole at the Russian Intelligence service. Dominika Egorov, is sucked into the heart of Putin's Russia, and spat out as the twists and turns of betrayal and counter-betrayal unravel. American Nate Nash handles the double agent, codenamed MARBLE, considered one of CIA's biggest assets. Will Dominika be able to unmask MARBLE, or will the mission see her faith destroyed in the country she has always passionately defended?

  • 5 out of 5 stars
  • Thought I had strayed into a cookery book

  • By Eddie on 13-03-18

Not good story telling

Overall
2 out of 5 stars
Performance
3 out of 5 stars
Story
2 out of 5 stars

Reviewed: 07-02-18

Some years ago I read an author's guide to police procedure. It was written by an experienced police officer who was an articulate writer but by his own admission did not have what it takes to be a writer of crime fiction.
I feel something similar is going on here. Jason Matthews worked for the CIA for 33 years, so he obviously knows his onions (see end of review) but I don't think he's a thriller writer. I say this knowing there were plenty five star reviews but I wonder if the reviewers are so steeped in the genre that they know how to fill in the gaps. For my own part, there was nothing to get a handle on. The characters were just names, the romance was meh, and what little action there was just failed to engage.
Then there were the recipes. To coin an expression, "It was funny the first time... except it wasn't." Every chapter has a cooking scene shoehorned in, and after a while you start to spot them, and they are flipping annoying.
The most pleasure I got from this book was watching the time count down.


Ainsley Harriott French Onion Soup. Empty sachet into cup. Add boiling water and stir.

8 of 9 people found this review helpful

  • A Walk in the Sun

  • By: Geoffrey A. Landis
  • Narrated by: Amy Bruce
  • Length: 50 mins
  • Unabridged
  • Overall
    4 out of 5 stars 6
  • Performance
    4 out of 5 stars 1
  • Story
    5 out of 5 stars 1

Theoretically Trish Mulligan's smashed spaceship's contains everything she needs to survive; maps, food, water and her solar-powered spacesuit. She manages to broadcast a distress signal to Earth, but to survive until they arrive she'll also need to outrun the sunset. If the sun sets, her suit's automated life support system will stop working and she'll die on the moon. So, she'll have to race the sun. On Earth it would be an interminable marathon pace but at least there she wouldn't be alone.

  • 5 out of 5 stars
  • Magnificent desolation

  • By Dr Caterpillar on 14-01-18

Magnificent desolation

Overall
5 out of 5 stars
Performance
4 out of 5 stars
Story
5 out of 5 stars

Reviewed: 14-01-18

I've been a science fiction fan since the 1970s, but at some point in the 1990s I became jaded. Rightly or wrongly I perceived the genre as infected with forced cynicism, with characters motivated solely by their career, and authors carefully avoiding having any sense of wonder - or "sensawunda" as they dismissively termed it - in their stories.
Then recently I happened to come across Geoffrey A. Landis's "A Sultan of the Clouds" in The Year's Top Short SF Novels. Besides being a science fiction writer, Landis happens to work for NASA, and has his finger on the pulse when it comes to the latest knowledge of the solar system. Although "Sultan" is largely restricted to the planet Venus, Landis manages to convey the sheer awe of what it would be like to have cities in the clouds of our nearest planetary neighbour, and his exploration of the possibilities of terraforming proves to be as fascinating as it is credible.
In fact Landis comes across as a modern-day Arthur C. Clarke, even though it's difficult to get hold of his work. His one novel, Mars Crossing, appears to be a forerunner of Andy Weir's The Martian, but isn't available on Kindle, let alone audio.
"A Walk In The Sunshine" certainly feels Clarke-like. The premise is straightforward - a survivor of a lunar crash has to outrace the sunset if she's to survive long enough to be rescued - but it's enough to make for a suspenseful and moving short story. It's a reminder of just how effective shorter works of fiction can be, and how the real physical dangers of outer space can make for good drama in their own right.
In terms of performance, this is a little odd. The original text is effectively delivered, with sound effects to convey radio communication and so on. But there are also musical interludes which raise the question, "Why are you doing this?" Early in the story we get some 70s-style spacey music, which I thought was pleasant enough, but then again I like that sort of thing. As the story progresses, we get bursts of something that sounds like the intro to a Joy Division track, which again is welcome but a bit out of place.
Whatever the wisdom of these particular musical choices, the excellent storytelling skills of Landis come across, and I hope Audible will go some way towards bringing this first class, yet somewhat overlooked, author to a wider audience.

  • The Ritual

  • By: Adam Nevill
  • Narrated by: David Thorpe
  • Length: 11 hrs and 59 mins
  • Unabridged
  • Overall
    3.5 out of 5 stars 360
  • Performance
    4 out of 5 stars 313
  • Story
    3.5 out of 5 stars 312

It was the dead thing they found hanging from a tree that changed the trip beyond recognition. When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. A shortcut meant to ease their hike turns into a nightmare scenario that could cost them their lives.

  • 5 out of 5 stars
  • Chilling stuff

  • By Fergal on 27-02-13

Not all stories are worth telling

Overall
1 out of 5 stars
Performance
4 out of 5 stars
Story
2 out of 5 stars

Reviewed: 20-11-17

It's not often I give up on a book when I'm 71% in.
Part 1 is okay. There's some idiot plotting, but the characters are otherwise reasonably credible, and there are some atmospheric scenes and moderately exciting bits. It's about 60% of the book.
Part 2 is utterly tedious, and drains away the goodwill that Part 1 generated. I thought about listening to the rest at double speed, then realised I actively don't want to know how it pans out.

3 of 5 people found this review helpful

  • Thin Air

  • By: Michelle Paver
  • Narrated by: Daniel Weyman
  • Length: 6 hrs and 1 min
  • Unabridged
  • Overall
    4.5 out of 5 stars 469
  • Performance
    4.5 out of 5 stars 441
  • Story
    4 out of 5 stars 442

The Himalayas, 1935. Kangchenjunga. Third-highest peak on earth. Greatest killer of them all. Five Englishmen set off from Darjeeling, determined to conquer the sacred summit. But courage can only take them so far - and the mountain is not their only foe. As the wind dies, the dread grows. Mountain sickness. The horrors of extreme altitude. A past that will not stay buried. And sometimes, the truth does not set you free.

  • 5 out of 5 stars
  • A tragedy that can never be righted

  • By Kaggy on 26-02-17

The other mountain of madness

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 21-10-17

Apart from the Lovecraft story alluded to in the review title, I cannot think of another mountain story in the supernatural/horror genre. It should be noted that there are virtually no similarities between the two.
Some reviewers have complained that Thin Air is too similar to Dark Matter. I can see what they mean, but I don't consider it a problem. In fact, I'd be very happy if Paver did a third one. It could be her vaguely M.R. Jamesian remote locales trilogy. I don't usually re-listen to audiobooks, but this one is on my to listen again pile, and I'm debating whether to re-read Dark Matter (I have the first edition hardback) or get it on audio.
I've been generous with the stars because this is one of those fairly rare occasions when the prose and the narration really mesh. Sure, you get good readers reading good stories, but sometimes they go beyond this; there is a synergy in which the narrator isn't just reading the words, he's telling his story. There is no Michelle Paver and there is no Daniel Weyman, there is just Stephen Pearce talking directly to the listener.
(I got a similar effect when I listened to Michael Maloney's reading of Christopher Priest's The Affirmation.)

1 of 1 people found this review helpful

  • Hidden Figures

  • The Untold Story of the African-American Women Who Helped Win the Space Race
  • By: Margot Lee Shetterly
  • Narrated by: Robin Miles
  • Length: 10 hrs and 47 mins
  • Unabridged
  • Overall
    4 out of 5 stars 136
  • Performance
    4.5 out of 5 stars 119
  • Story
    4.5 out of 5 stars 120

Set amid the civil rights movement, the never-before-told true story of NASA's African American female mathematicians who played a crucial role in America's space program. Before Neil Armstrong walked on the moon, a group of professionals worked as 'human computers', calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African American women.

  • 5 out of 5 stars
  • How did I not know about these women?

  • By Steph Adams on 05-01-17

Unfocused

Overall
3 out of 5 stars
Performance
3 out of 5 stars
Story
3 out of 5 stars

Reviewed: 14-10-17

This is a thoroughly researched book that tells an important story. For that reason I wish I could recommend it more.
If you've seen the film you'll know what it's about: the significant role black women played in the space programme despite the prejudice against both their skin colour and their gender. Prior to the publication of this book, and the release of the film, their contribution was largely forgotten or unknown, even by people like myself who are interested in space travel.
So what's wrong with the book?
To my mind, it's the structure that lets it down. We're just told facts, dry facts and lots of 'em. And so many names! The film focuses on three key women, but in the book the names of the main characters are lost among the minor players. There's some moving about in time too, so that it's quite hard to follow, especially as an audio book. It's not helped by the narrator's monotone, which makes the story fall quite flat at times.
If I'd been editor I'd have given chapter titles that clue us in to the purpose of the chapter. Let us know whether a chapter is focused on Katherine Johnson, or Mary Jackson, or relevant historical events, or technological developments at the time, or whatever. This could make the book much more accessible without having to dumb it down.
Don't get me wrong, it's not all dull and worthy. There are breathtaking moments, such as the appearance of Sputnik, John Glenn's precarious landing and so on. Also, the author is not in any way trying to make readers/listeners feel guilty for being white and/or male, and in fact there are heart-warming moments when friendships form that look beyond colour or gender.
At the end of the day, getting through this book is more of an effort than it should be, but is nevertheless worth the effort.
I will probably listen to the book again, or perhaps read a print version. I'll also watch the film again, even though I now know it takes a few liberties with history.