At last, the unabridged version of this brilliant book (the first in the Millennium trilogy)is available to download. A disgraced Stockholm journalist..Show More », Mikael Blomkvist, is asked to investigate the disappearance (in 1966) of an industrialist's niece. Aided by the 'mentally incompetent' 20-something, Lisbeth Salander (the eponymous Girl with the Dragon Tattoo), the journalist descends into the nightmare underbelly of Swedish society, Saul Reichlin (better known for his narration of David Hewson's Nic Costa novels) does his usual expert job. This has got to be one of the best downloads of 2009.
Having recently finished listening to the first book in this series, 'The Girl with the Dragon Tattoo', I held my breath and immediately dived back in..Show More » with this, the second. I am glad to say that I found it at least as good as the first, and some of the unanswered questions about Lizbet Salander's past became clearer as the story unfolded. The characters were further developed, with, I am glad to say, Blomkvist allowed to grow more in the second part of the book. If you have read the first book, then you know to expect rather explicit descriptions of violence, and this book also contains similar material. Once again, impeccably read by Saul Reichlin, who has to be complimented on getting his tongue around all the Scandinavian place names with great dexterity.
Some nice twists towards the end! I highly recommend.
I was eager to listen to this final book in the Stieg Larsson trilogy as I'd greatly enjoyed The Girl with the Dragon Tattoo and then the Girl who Pla..Show More »yed with Fire. One word of advice: listen or read the two previous books before tackling The Girl who Kicked the Hornet's Nest as the latter narrative flows seamlessly from the Girl who Played with Fire and I think a listener would be confused without knowing the back-story and having become familiar with the main characters who are present in all three books. All the books are complicated with lots of characters with Swedish names and places but all are riveting. The stories are of epic proportions combining spies and the security services; crime and its detection; high-level computer hacking; investigative journalism leavened by a fair bit of raunchy descriptions of bed-room scenes.
This final book opens with quite a lot of explanation about the Swedish security service and political system but then takes off with the resolution of
the many threads from the previous books. Much of the book revolves around Lisbeth Salander's trial for serious crimes and journalist Mikael Blomkvist's behind the scenes investigations. The trial scenes are particularly engrossing, and without giving anything away, the cross-examination of the psychiatrist, Dr Teleborian, is a high-light.
The enjoyment and comprehensibility of all the books are greatly enhanced by the superb narration by Saul Reichlin, who is probably the finest audio book reader. Narration is an understatement as he really dramatizes the books by his ability to create different voices for the characters.
Sadly, the author, Stieg Larsson, died prematurely before this trilogy was published and won't know how much pleasure he's given people round the world who've followed the exploits of his weirdly wonderful character, Lisbeth Salander, and the doughty investigative journalist, Mikael Blomkvist.
I know a little of the story behind Steig Larsson's legacy and how his estranged family apparently seized on their rights, but I did not really care t..Show More »oo much as I have a fond memory of the Millenium trilogy as enjoyable, if sometimes slightly cartoonlike, thrillers. I felt like something easy to listen to and I was not about to let authenticity or ownership worry me. It had been a while so I thought I'd see what the chosen writer did with the characters to move the series on. Mistake. It seems to me, admittedly at half way through, that Instead of going his own way Lagercrantz has reproduced the formula almost exactly. (Magazine under pressure, corruption at Sepo, Solander's far fetched family at the heart of all evil again, etc). This over familiarity, combined with long passages of narrative expo given in the authors own voice as unrealistic dialogue, and the habit of seeing every moment of significance from every point of view possible, just bored me to death.