Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.
Frankenstein, an instant best seller and an important ancestor of both the horror and science-fiction genres, not only tells a terrifying story but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? And how far can we go in tampering with Nature?
"A novel which excites new reflections and untried sources of emotion." (Walter Scott, Blackwood's Edinburgh Magazine)
Well narrated. Good to have the record set straight on this book. Nice to hear the way language was written and spoken. Not impenetrable like Shakespeare, much closer to the current version of the language we use today.
"An essential and exciting classic, expertly read."
The classic science fiction novel, a gothic tale of science run amok. The book tells the tale of the life of Victor Frankenstein, and how he discovers the secrets of life. Filled with scientific fervour, he works to create life in his laboratory, and only pauses to contemplate the ramifications of his creation after it is loose. Terrible events follow.
This is so much more than a cautionary tale of what happens when science is untempered by morality. Rather, we gain an insight into the minds of all involved, including the scientist in his thirst of knowledge and respect, and his creature in its lonesome intelligence. Shelley contemplates what makes a human - and it is not just body parts.
The language of the book, while somewhat floral by today's standards, is easy to understand and very pleasurable.
The book is expertly read by Simon Vance. ?Subtle variations in pitch and intonation differentiate the characters without being irritating, giving the title a slight feeling of dramatisation. The reading is suitably expressive.
A cautionary tale of an incredibly irresponsible and infuriatingly self-indulgent and mawkish scientist who creates the 'Monster' and then spends the rest of the book running away from it feeling sorry for himself. Maybe in 1818 when the book was first published, peoples sensitivities would bring them down on the side of the 'tortured' scientist, but listening to in today, I just felt sorry for the monster and cheered him on all the way.
I found myself not giving two hoots for Frankenstein or his fast-diminishing family and felt the scientist at least got everything he deserved. An interesting book that I enjoyed listening to as a 'classic', but in it's own right it was quite frustrating, with it's deeper historical context being sidelined somewhat by my desire to throttle the scientist and insist he grow a back-bone and deal with his creation.
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