Hemingway's frank portrayal of the love between Lieutenant Henry and Catherine Barkley, caught in the inexorable sweep of war, glows with an intensity unrivaled in modern literature, while his description of the German attack on Caporetto, of lines of fired men marching in the rain, hungry, weary, and demoralized, is one of the greatest moments in literary history.
A story of love and pain, of loyalty and desertion, A Farewell to Arms, written when he was 30 years old, represents a new romanticism for Hemingway.
©1929 Charles Scribner's Sons. Copyright renewed ©1957 Ernest Hemingway; (P)2006 Simon & Schuster Inc. AUDIOWORKS is an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc.
"Farewell to a good listen"
A great book damaged by poor reading. The monotonous narration leaves this lifeless. Conversations are particularly dead. A disappointment.
The experience has taught me to listen to the preview of each download now.
"No one besides Hemingway"
It's so wonderful to listen to this novel. You hear every word, every tone - when you read you can miss a lot. John Slattery gives life to the - on the surface - subdued lovestory. On my Top Ten!
"Narrator performs book"
For many chapters I couldn't get over the impression that this was a take-off of Hemmingway's style. The 'Janet and John' style, as it sounds to UK listeners (of a certain age). But, Hemmingway builds his characters from conversation - the way they talk - and this narrator almost converts the book to a play at some points. I loved the conversation (soliloquy, since the narrator is talking to himself) where he asks himself 'what if his lover/girlfriend dies (in childbirth)'. I can't imagine how it would look on a page - but played by this actor... really something.
"This one has legs?but not wings"
The myth of Hemingway the man and the Boy?s Own nature of his subject-matter sometimes obscures the reader?s ability to evaluate his style and the quality of his prose. I remember years ago his short staccato style being described as having the purity of a clean mountain stream. He is primarily a story teller and does this by retreating as a writer and hiding behind the scenery delivering enough words to get us quickly through the plot. And it is the plot that is the point.
Interesting enough as a story, but the price paid is evident in the interplay between Lieutenant Frederic Henry and Catherine Barkley which remains two dimensional.
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