Miskatonic University has a long-whispered reputation of being strongly connected to all things occult and supernatural. From the faculty to the students, the fascination with other-worldly legends and objects runs rampant. So, when Carter Weston's professor Dr. Thayerson asks him to search a nearby village for a book that is believed to control the inhuman forces that rule the Earth, Incendium Maleficarum, the student doesn't hesitate to begin the quest.
Weston's journey takes an unexpected turn, however, when he ventures into a tavern in the small town of Anchorhead. Rather than passing the evening as a solitary patron, Weston joins four men who regale him with stories of their personal experiences with forces both preternatural and damned. Two stories hit close to home as they tie the tellers directly to Weston's current mission.
His unanticipated role as passive listener proves fortuitous, and Weston fulfills his goal. Bringing the book back to Miskatonic, though, proves to be a grave mistake. Quickly, Weston realizes he has played a role in potentially opening the gate between the netherworld and the world of man. Reversing the course of events means forgetting all he thought he knew about Miskatonic and his professor and embracing an unknown beyond his wildest imagination.
©2011 Journalstone Publishing (P)2016 Journalstone Publishing
What began as a thoroughly promising book came apart in the final chapters and led me to believe the author had but a weak understanding of the Yog-Sothothery that Lovecraft created. It was in the latter half of the book that a character is Possessed by an entity that identifies itself as Yog Sothoth and from there it is all downhill. For one Yog refers to Cthulhu as his master yet we know that Yog Sothoth was akin to Cthulhu's grandfather and thing become worse when it refers to itself as Legion, fears the Cross and spouts Latin. Christanity has no place when dealing with the Great Old Ones as they predate the Bible by several million years and the less said about Yog Sothoth being described like Satan near the end with horns and hurling fireballs the better. Can I recommend the book as a work of Mythos fiction? Heck no and when this is removed from the equation you're left with a pretty generic book.
"An excellent horror novel, now a great audiobook"
The best compliment I can give “That Which Should Not Be” is that it’s the only novel I’ve ever read three times (four counting the audio version). That’s how good it is.
Built around a series of chilling tales recounted by the novel’s characters, each is self-contained and enjoyable in its own right. Yet these individual stories contribute in ways not immediately foreseeable to the overall plot. It’s a classic kind of storytelling, and author Brett J. Talley pulls it off masterfully. In each of the novel’s composite narratives, he builds dread-filled anticipation, and pays off the reader with harrowing action.
Audiobook narrator David Stifel’s style melds perfectly with the author’s storytelling. Stifel’s delivery is precisely the voice one would expect of late 19th century men hesitantly sharing the horrible things they’ve seen and endured. This is the first audiobook of Stifel’s I’ve listened to, but based on his performance here, I will be checking out more of his work. (And certainly the audio version of TWSNB’s sequel, “He Who Walks In Shadow,” which Stifel also narrates.)
TWSNB is a Lovecraftian horror novel, meaning it borrows from the mythos created by early 20th century horror writer H. P. Lovecraft. For those unfamiliar, Lovecraft is credited with creating “cosmic horror.” In Lovecraft’s telling, at some point in the ancient past these massively powerful elder gods called the Old Ones were cast out of our world. Their return would pretty much mean the end of the world, and for that reason a lot of Lovecraft-inspired fiction revolves around human worshippers foolishly trying to awaken their favorite Old One. You needn’t be a Lovecraft fan to enjoy this novel, though if you are you’ll notice more than a few Easter eggs.
In Lovecraftian fiction, a protagonist’s powerlessness relative to the Old Ones can be taken as shorthand for humanity’s cosmic insignificance, yet Talley rejects this nihilism. In addition to all the disquieting coincidences, eerie locales, and menacing atmosphere Lovecraftian horror at its best should offers, TWSNB gives us bold heroes whose struggle valiantly against evil. Perhaps more importantly, their struggles have a point, their suffering meaning.
For all the blood and horror contained in TWSNB, it’s that belief in purpose and hope that makes it refreshing compared to a lot of modern horror, and perhaps the broader culture as well. And that, I suspect, is why I’ve returned to the novel every couple years.
"TWSNB is a Lovecraftian Masterpiece!!"
I have read (listened) to very few books that have made me want to actually study some of the history, myths and legends contained within (alongside reading the work itself) and it made the read all the more deep and engaging. I have never been a huge Mythos fan…until now with TWSNB. With his deeply dark and atmospheric prose, Brett takes us through a series of stories, each of them rich and unique in their own right which ultimately leads us to the very gates of the netherworld. Excellent. Highly Recommended!
David Stifel really nails the narration for this one with what must have been a rather difficult job of keeping the characters straight and the plot moving without losing any of the books dark atmosphere. Very well done. I look forward to more of David's work.
"Superb Cosmic Horror"
I didn't know what to expect from this book, I selected it because of the narrator. But I was almost instantly hooked. The book is a frame story with a triptych of shorter narratives within. These brought in elements from history (which were accurate) and spun them in original ways. For example the second story the one that takes place in eastern Europe, the Scholomance figures. I remember reading Dracula, and the Scholomance is mentioned twice in Bram Stoker's book, but I remembered it only from World of Warcraft. There's quite a bit about it on the internet and I was delighted to learn something about the folklore the author borrowed for his story. I love little bits of historical accuracy in period books, and this had plenty. In the third story, the whole history of Danvers State Hospital is detailed. All of it was historically accurate and also fit nicely into the narrative. This doesn't do justice to the little bits of history and literature. Like Dan Brown, the author is a polymath. It's like the Call of Cthulhu meets The DaVinci Code.
The book is a winner. I don't tend to like Lovecraft pastiche because nobody can even hold a candle to the master (except for Robert Bloch, perhaps), but Talley comes close enough for horseshoes. The idiom is antiquated, which is to say, it sounds like it might have been written in the 19th or early 20th Centuries. So it's not the kind of modern language you find in most books. That won't appeal to everyone, but I liked it; it gave a sense of mood and set the action firmly in time.
David Stifel's narration is excellent, his accents have authenticity and his characters are multidimensional. I always understood what the characters were feeling even if it wasn't explicit in the words. He knows the secret of how to make characters live.
The frame story borrows heavily on the classic Call of Cthulhu, and I resisted that for a bit until the author AGAIN put a new spin on it. Impressive writing indeed.
The horror is cosmic and I felt that several times during the book--especially during the Captain's story--being lost in a cosmic sea. This book really cooks and I'm going to listen to it again I'm sure. I'm also going to get the sequel. If you like Lovecraftian horror you will love this book--I think if you're a Lovecraft purist you might not; maybe not right away, but there's a lot here that transcends the Mythos, that draws on threads of ancient world history. It's extremely satisfying.
"Pure Lovecraftian Art"
I found this particular book to be riveting. The narrator expertly conveyed the distinct nuances of each character, and the stories told by each man in the tavern with our skeptical protagonist were as enthralling as they were connected to the overall story. I would certainly recommend it, but perhaps not for people who live alone in dark and remote houses where things go bump in the night.
"Engaging collection of Cthulhu stories"
Great collection of tales based around the Cthulhu mythos. As I am not a Lovecraft expert, I don't know if these stories just draw from the Lovecraft Cthulhu collection, or are a re-telling. Never the less, it was a fun listen.
I really enjoyed the format of people telling the tales in a tavern to connect the story. The author did a great job making you feel like you were sitting there having an ale on a stormy night, absorbing each story from the men who told them.
It somehow reminded me of the older horror movies I loved as a kid. I wouldn't categorize it as scary, but well told, not corny.
I wanted to like this book, but between the bad narration and even worse writing I just could not. I have been reading Lovecraft and his mythos for 20 years and never has there been a juvenile attempt at continuing his legacy then this book. This book is so bad I could not even listen to the last 3 chapters, and I got through snow crush. To other readers please stay away and to the narattor and writer please lock your selves away in some forgotten tomb so that we may never hear from either of you again.
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