Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It's a prestige posting, and Andrew is thrilled all the more to be assigned to the ship's Xenobiology laboratory. Life couldn't be better...until Andrew begins to pick up on the facts that (1) every Away Mission involves some kind of lethal confrontation with alien forces; (2) the ship's captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations; and (3) at least one low-ranked crew member is, sadly, always killed.
Not surprisingly, a great deal of energy below decks is expended on avoiding, at all costs, being assigned to an Away Mission. Then Andrew stumbles on information that completely transforms his and his colleagues' understanding of what the starship Intrepid really is...and offers them a crazy, high-risk chance to save their own lives.
©2012 John Scalzi (P)2012 Audible, Inc.
Like a previous reviewer stated this author really needs to learn another word for "said"; Yes, almost every line contains "...said" or "said...", it really does get annoying and you can almost hear the annoyance in the voice of the narrator.
The storyline is pretty good and I did enjoy it; a subtle, or perhaps not so subtle, parody of Star Trek which mocks the fact that in almost every Star Trek episode you knew who was going to die as soon as the "away party" beamed down; those poor guys in red.
I love John Scalzi. Just have to get that out there. All of his books are phenomenal, though I confess I do love his humorous standalones a tiny bit more than the Old Man's War series. I can't say enough good things about his writing.
So I guess it's no surprise that I loved Redshirts - it is certainly one of the funnier concepts he's come up with. What if a Star Trek-like TV show was not only real somewhere, but controlled by the pen of the show's writers? What if all those poor redshirts, the guys destined to die to make the audience realize the problem in any given episode was SERIOUS, were real people, who really died every time bad writing dictated?
But don't be fooled by the absurdist premise - this is an incredibly well conceived novel, with a definite punch to the stomach in emotional weight, and a brilliant resolution.
Highly recommended. And the narration by Wil Wheaton - of Star Trek Next Generation fame, no less - is spot on.
I've probably listened to 30 audiobooks in the last 2 and a half years. Almost all of them have been very good. I'd say this was in the top half of those.
I loved the paradox, that the characters were supposedly vulnerable because they were not the main characters of the show, but of course they're the main characters of the book so in fact a slightly different set of rules apply. As much as the idea is (as the characters know) derivative of Galaxy Quest, Last Action Hero etc, Scalzi does a great job of making it feel fresh without it getting stuck up its own arse.
The last scene, which I won't say more about, because it would spoil it.
Both actually, but it was surprisingly touching towards the end, considering how tongue in cheek the concept seems.
Really recommended. I'm not a big Trekkie or into anything particularly similar, but I think it's enough to have a passing familiarity with the tropes of the genre, which virtually everyone surely does.
Don't wear Red
The story quickly dismantles a Star Trek-like distopian universe into a funny, if slightly silly, fantasy. It asks the age old questions, "what do the redshirts think about their survival chances and what can they do to improve them?"
The tone suited me and I enjoyed the meta-story
A great story that drags a little with the extra codas - they become a little too meta - but an entertaining story that suits Wheaton's drawl.
Haven't read the dead-tree version but I've read an awful lot of Scalzi and I end up feeling ever-so-slightly disappointed sometimes at the end of his books. Still not managed to finish Fuzzy Nation and I really want to...
The Ghost in the Machine... or was he the narrator? I'm not sure as I got all twisted up in the narrative.
I guess the hero was the best. Though they were all pretty entertaining.
Like trying to eat Spaghetti with your ears!
Well worth a listen!
I 'm a scifi/fantasy fan, have been since I was 8, and I love audiobooks for walking the dog, traveling in the car and doing the housework.
I liked the principle most, and the inner monologues. The fact that nobody knew why they were doing what they did.
The only book other than John Scalzi's other books that this reminds me of is John Ringo's Last Centurion. Both books have soldier protagonists, both are commentary on how f-ed up the world they are living in is, and the tone and humor are similar. So are the narrators' voices.
I liked everything about the way he portrayed the characters, with the exception of Duvahl (not sure of spelling) Some narrators are able to portray female voices well, but Wheaton's female voice was indistinguishable, which is part of the flaw this book has.
I actually started crying somewhere near the end. It might have been when Dahl got skewered. Or it might have been during the epilogue when Finn lectures Nick. Actually Nick's epilogue is a pretty good part in itself.
The big flaw in this audiobook is a combination of writer and narrator. Scalzi overuses the word 'said' which _in print_ probably doesn't matter too much. He also named two of his main characters Dahl and Duvahl.
When you get lines like:
"Are you sure?" Dahl said.
"I'm sure." Duvahl said
Near the start and you can't tell which one is the female character because the narrator isn't that capable of female voices and the names are too similar to connect with the identifying information you were given...
After the first hour I'd gotten over the "said,said,said," thing, but that section near the beginning is really annoying.Still a good listen though.
While the story is more than ok, Wil Wheaton does a superb job telling it. I enjoyed this very much, allthough the book itself falls short sometimes. The premise for this book is funny and clever, but it could do with some editing. It is far to long and drawn out at some points, but unlike many other reviewers, the "he said, she said" etc style of writning didnt bother me. To me, it feels like it is written as a script, and fits the book very well.
Bottom line; If Wil Wheaton had'nt narrated this, I might not have enjoyed it so much. As it is, I recommend this to all science fiction fans, and trekkies in particular.
I downloaded this in a hurry - looking for some reasonable SF and tried this. I noticed someone mentioned the excess 'he said - she said' and I soon found the dialogue was really not suitable for listening. When you read dialogue heavy fiction - the he said - etc. bit is kind of filtered out, but on audiobook, however decent the reader is, and Wheaton is pretty good, the said bit gets really tedious. I nearly aborted this listen after 1/2 hour, but I was on a long journey, so kept going. In the end it was a pleasant light listen, with some clever twists. I will probably not bother with another Scalzi, but the experience was not bad. I tend to like the more cerebral SF, but am running out of authors! Help!
The idea of the book is at once, both funny and intriguing. I thought it would be a comedy, but John takes an absurd premise and then writes a very engaging story around it. A very clever and a likable book. The two things that work against it. 1 - Others have mentioned it, and I will too, but only because it does grate. The use of the word "said" so often. Enough said :). 2 - I was a little disappointed with the narration. There is very little in the way of distinguishing different characters and the reading was a little flat in a lot of places. Neither of these were enough to make me stop listening though, and I got right through to the end without a problem. Clearly John is happy with him as Wil narrates a number of his books. Overall it is a solid and enjoyable listen.
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