Crossover is the first novel in a series which follows the adventures of Cassandra Kresnov, an artificial person, or android, created by the League, one side of an interstellar war against the more powerful, conservative Federation. Cassandra is an experimental design - more intelligent, more creative, and far more dangerous than any that have preceded her. But with her intellect come questions, and a moral awakening. She deserts the League and heads incognito into the space of her former enemy, the Federation, in search of a new life.
Her chosen world is Callay, and its enormous, decadent capital metropolis of Tanusha, where the concerns of the war are literally and figuratively so many light years away. But the war between the League and the Federation was ideological as much as political, with much of that ideological dispute regarding the very existence of artificial sentience and the rules that govern its creation. Cassandra discovers that even in Tanusha, the powerful entities of this bloody conflict have wound their tentacles. Many in the League and the Federation have cause to want her dead, and Cassandra?s history, inevitably, catches up with her. Cassandra finds herself at the mercy of a society whose values preclude her own right even to exist. But her presence in Tanusha reveals other fault lines, and when Federal agents attempt to assassinate the Callayan president, she finds herself thrust into the service of her former enemies, using her lethal skills to attempt to protect her former enemies from forces beyond their ability to control.
As she struggles for her place and survival in a new world, Cassandra must forge new friendships with old enemies, while attempting to confront the most disturbing and deadly realities of her own existence.
©2006 Joel Shepherd (P)2012 Audible, Inc.
A good tale. Somewhat let down by the narration, which is in a rather harried 'american' style and the somewhat implausible attribution of 'old earth' regional accents to the characters. But still perfectly enjoyable overall.
I picked this one up because I liked the idea of artificial intelligence on the run from humanity and wanted to see where the author goes with it. The story got off to an excellent start examining sentience and humanity in artificial intelligence and whether artificial people created for military purposes should be treated as human beings or as the military weapons they were designed to be. Unfortunately after a good opening, it descends into a total mess, the author not being able to decide what this story wants to be. An exploration of artificial intelligence against a backdrop of life and politics in a near utopian society or an action packed military sci-fi. What we have is a clumsy attempt to do both, combinig overtly long political ponderings, many tedious descriptions and Iots of badly written info dumps, with long, pointless military action scenes. The attempts at world building are inept and it's a case of being told about this world rather than shown it. However, the real pity here is that we had an incredibly interesting female android with a human nervous system and human emotions, who could have had so much potential for character development. However she turns very quickly into a cardboard cut-out of an adolescent boy's fantasy woman. I must admit that I gave up listening with only four hours to go as I just couldn't take any more. There are quite a few books in the series so there should be more development to the android femme fatal as the stories progress, however I won't be taking the time to find out.
Books biggest problem is that it don't know what it wants to tell to reader. It takes lot of time in political pondering which it throws in trash can because it comes too serious for frivolous action scenes.
Political books need strong characters that have good character evolution, but this book offer only very one dimensional characters who don't have any evolution during book, except that writer add attributes for character during book so that they can react like he wants in current scene, but most times this feel that this attributes should have been mentioned earlier in the book, now it looks like that characters get more attributes every time when they have in need of one.
I usually love cyperpunk books, but this is just too painfully written that I could enjoy it.
Diana Pearlman is excellent narrator, she has good talent to get characters feel different of each other and which makes it easy to differentiate them. But even she can't make this book enjoyable, but still thumbs up for her.
"Crossover to a Different Book"
Crossover starts with a very interesting premise and begins with some real promise as Cassandra, an android, assumes a new identity and tries to start a new life as a civilian in a new society rather than as the soldier she has been. However, just as the story starts to roll out this idea of an android created to be a warrior who has philosophical problems with the war and wants to pursue normal human relationships, work a civilian job, and visit art museums, that whole story abruptly ends. Cassandra is captured and co-opted by her enemy and the entire remaining book (all but the first chapter) is unnatural dialog, incoherent political ruminations, and ridiculous sexual discussions/thoughts (although very little actual sex), and a few good fight scenes that Cassandra inevitably wins. The book would have put me to sleep if it weren't for how very aggravating Joel Shepherd's depiction of adult women is. Cassandra is an engineered humanoid designed to be the ultimate of the HK series (hunter-killer) so my assumption would have been that an android designed to be a warrior wouldn't have any inclination for sex. However, I could buy into Shepherd giving his androids a sex drive (his world after all), but for the fact that Cassandra's model type is imprinted with actual human brain patterns. In that case, Cassandra should think about sex the way a real woman does, not like a 15 yr. old boy does. Think I'm exaggerating? Here's a sample, you decide. This is Cassandra's internal monologue at one point (verbatim), "Damn, give her good food, nice surroundings, and a decent hard shag at least 5 times a week and she was happy. Let the universe rot, she just wanted to get nailed." The actual human women in the book aren't much better and certainly don't ring true as believable characters. Cassandra has a great deal of angst over the politics in her world and how much she loves art although she's a soldier, but in truth, the android doesn't actually seem to care a fig about anything but sex and fighting so the moral/ethical conflict of a thinking/feeling android used for fighting doesn't come off at all. And, I didn't give a flip about Cassandra either. She's a male fantasy - beautiful, smart, strong, and can't get enough sex (oh and of course, very skilled at sex) - she's not a real character. She's supposedly made of some super bio synthetic material, but to me she seemed to be made of cardboard. Her human compatriots aren't any more fleshed out either. You don't really see much political action, just characters thinking about it and talking about it and it's a bit simplistic and convoluted. And, the internal monologues are long, frequent and tiresome.
Dina Pearlman is OK as the narrator. As a previous reviewer noted, she does get better as the book goes on. But this is just not a good book, so it's hard to get too excited about the performance of it.
Thumbs down on this one - don't waste a credit!
"Well that was mind numbing"
She did the best with what she was given, I hope they paid her well.
The book was frustrating to get through. This is what it felt like listening to it: little bit of plot – protagonist explains sex life – little bit of plot – protagonist is questioned about sex life – little bit of plot – protagonist has fond remembrance of sex life – little bit of plot – protagonist has sex and explains about sex life to sex partner – little bit of plot – protagonist calls co-worker and jokes about sex life before telling vital information strangely connected to sex life. While I have never been a teenage boy, it felt like I was being pulled into the mind of one at times and it was difficult not to stop rolling my eyes over and over or at one point bash my head on my desk. It was soooo tiresome, so boring, and so repetitive.Another point of irritation about this book is that it takes place on a plant in the far future, however all the architecture on the planet is exactly like present day earth. There are districts that divide the place the protagonist lives in and they are labelled something like (not kidding here) “Old earth Chinatown”, “Old earth Spanish District”, “Old Earth India”, “Old Earth Whatever with that old earth architecture, music, food, language”. The rest of the place is made up of glass and cement. Seriously. I wanted to like this book. Some of the ideas have already been done, but they were still interesting. The plot had potential. If 90% of the sexual thoughts were cut out of the protagonists head and it was filled with a bit of depth she would be far more interesting and relatable. The only reason I have not asked for my money back was because I wanted to write a review to warn others who have similar tastes in SciFi, against buying this. However if you do ignore me (like I did with the other reviewers) it will really make you appreciate the genuine talents of other Scifi writers out there.
"The SERIES as a whole is EXCELLENT!"
I grabbed this book during a "Good book slump", because sometimes you take a shot in the dark and get lucky. I got lucky!
Book 1 starts out pretty fast-paced, but begins to do "Character Building" about Chapter 5 (IIRC), and so it slows down a bit for about a quarter of the book before things begin moving forward again... However, without that "Character Build-Up", the rest of the books in the series wouldn't mean much to you emotionally, because these are NOT the type of books where you can "start at any book, listen to the first "refresher prologue' and you'll have a good idea of what happened in the books preceding the current one". Mr. Shepherd just dives straight into each new book in the series pretty much where the last book left off. Actually I LIKE that, since I don't feel like I'm wasting money to read/hear 30 minutes of a previous book I already bought.
As you get further into the series, the action gets so intense at points that you begin to think "NO WAY can he top THAT battle/scene/encounter", but he CAN and DOES!
Mr. Shepherd also seems to be a stickler for "Little known facts"... You know, "The historical stories you were taught one way in school, which, later in life, you discover isn't the WHOLE truth, and are, in fact, misleading". That's even MORE impressive since Mr. Shepherd seems to know these facts from a MULTITUDE of different countries/cultures, in an amount of detail that most citizens of those countries don't even know.
Mr. Shepherd is VERY well-versed in Psychology, History, Physics, Mathematics, Politics, etc. In MANY decent Sci-Fi Books, "Enhanced Humans", or "Artificial Humans" who are INCREDIBLY strong, can leap upward IMPOSSIBLE distances... Shepherd points out that although his "G.I.'s" have incredible strength, due to the physics of the human form, they are limited in "How high they can jump" by the amount of force that can be generated by a set length of bone structure (I think the "G.I.'s" could get around that "Bone length limitation" by holding HEAVY weights, like a super-dense 'dumb-bell', in each hand, jumping upward while swinging the weights upward as they jump, and then throwing both weights downward at the same time, since "Leg/Arm Strength" isn't the limiting factor in heights/distances achieved).
Anyway, Mr. Shepherd's detailed knowledge on a wide variety of subjects, is at least as impressive as his story-telling skills... Each book in the series is better than the previous books, while the action gets ever 'faster-paced', and you watch the characters 'mature'.
"I Picked Immediately"
Interesting Exciting Fun
Cassandra Kresnov is the main, and my favorite character. I just find her journey fascinating as she progresses through the story as an artificial person trying to fit into a society whose first reaction to her is most often fear.
I definitely spent a lot of time laughing, there is plenty of humor in the book in addition to the action. As for the action there is plenty of that too.
I read this book several years ago and picked up the audio book as soon as I saw it on new releases. I already really enjoyed the story and the narration of the audio book definitely did not disappoint. Definitely happy about spending a credit on this and cannot wait for the sequels to be released.
I'm not sure there was anything I liked "Best". Only things I didn't dislike as much. The writing was unsophisticated, almost juvenile. This isn't necessarily a bad thing as it can make for good escapism that you can just experience without having to think about it too much. However when combined with the "Bad" the unsophisticated tends to lose any of its redeeming quality.
Now for the bad.
1. Exposition! Exposition! Exposition! I frequently found my mind wandering during many of the frequent pauses for the main character to 'reflect' on whatever Mr Shepherd decided needing elucidation at the moment. The first few times when I'd catch myself doing it I would rewind to the point where I was last paying attention. But I realized early on that I really wasn't missing much, definitely nothing that moved the plot forward, so I stopped rewinding and found that I could easily pick up the plot, such as it was.
2. I want to like the main character but find her slightly cartoonish and vaguely unrealized. I feel that Mr Shepherd missed an interesting opportunity for character growth with Cassandra. She had a decidedly non-standard childhood, yet I've seen real life people with a more standard upbringing be much more unstable than she. It made it a lot harder to sympathize with her situation when it seems she doesn't suffer near as much as you'd expect.
I think John Scalzi handled a similar situation better with his Jane Sagan character in the Old Man's War series.
3. While the political situation was interesting the rest of the world seemed flat, and Mr Shepherd seemed to have trouble conveying his ideas for Cassandra' universe, thus all the random expositions that, at least for me, did little to shed any light on the subject.
No, probably not
She's not the worst narrator I've listened to, but she needs to slow down just a bit. And she has some odd inflections and pacing at time as if she didn't understand what the author intended. I blame this as much on the director as her.
Maybe, the action was decent, it would have to have a big SF budget though. And as long as the book is once you cut out all the expository nonsense you'd only have about an hours worth of material left.
I felt there was a lot of untapped potential here. The whole super soldier story line is a hard one to balance and be able to stay inside the suspension of belief zone of most readers. Mr Shepherd tried, but ultimately missed the mark with me, and I can usually overlook quite a bit.
"too much blather, not enough good stuff"
The premise is good. GI's are now synthetic humans, and therefore expendable, except that they cost a lot to make. Cassandra is the only one with the mental development to appreciate art and to care about aesthetics and such.
She goes AWOL and tries to start a new normal life but the old Federation is after her, and her skills keep necessitating she keep joining the war. She gets about 4 hours at any given place before she has to fight and then run to see whom she can trust now.
Her introspection is interesting, and the android tech is fun to imagine, but there is too much self talk that goes on for 10-20 minutes. The end has some good action but then another 20 minutes of blah-blah, and then you're done. Very anti-climactic. And all that explanatory talking did not really help us understand the warring sides' goals or ideals.
Dina Pearlman did a great Indian accent, but the rest was bad. Ibrahim's pronunciation was not consistent, and even Cassandra's voice changed at the end--it went all high and girly whereas it had been lower and full of strength. And the most poignant moments were zipped over so you forgot that you were supposed to shed a tear.
None of the decent parts of the story were good enough to make up for the boring connecting parts, and none of the people are worthy of our concern.
There is lots of bionic sex-- remembering sex, looking for sex, having sex, contemplating sex. Ho-hum.
"NOT A ONE MAN WOMAN"
This had a great start to it and I really thought I was going to love it. The main character is not a robot, not an android, not a clone, but she is artificial. She is sentient, so should she have rights? She started out as a great character and there were some intelligent questions to be answered, but from chapter five on the story stagnated. There was the introduction to the character which was unique. There was an Unwinding episode which was disturbing. There was a trial which was stimulating conversation. Each chapter seemed to have it's own theme. After chapter five, we had a touchy feelie chapter and there was a political chapter, etc. I quit in the ninth chapter. There may have been more interesting chapters later, but I did not know how many of these mundane boring chapters I would have to listen to, to get there.
The drool narrator sucked.
"Weak Attempt at Emotional Emergance"
No. This topic has been better rendered by other authors.
The main character was attempting to find herself while being a relatively unfeeling synthetic being. By the time the deeper feelings inevitably came out, we were no longer interested. The attempt to render profound linkage to societal problems came off as illogical and unbelievable.
"Great sci-fi trilogy"
I'd read this trilogy when it was originally published a few years ago. I generally don't read science fiction, being more of a fantasy geek, but the plot seemed interesting, so I bought it and loved it. Joel Shepherd is a great author: the plot, pacing, and characterizations are all quite good. So, my only question before buying this in audio, though I was very excited to see it available, was the narration.
My previous experience with Ms. Pearlman's narration was with "Polgara the Sorceress", which was a good book. I did not, however, care for the narration at all. She has a pleasant enough voice, she just mauled some of the pronunciations of some key places and/or people from the Belgariad series, one of my all time favorites. I couldn't finish it.
So I was nervous about buying this, but having enjoyed the print version so much, and wanting to experience it in audio, I bought it anyway.
She is better in this book, though at first I didn't think I'd be able to finish (which I haven't, but I'm halfway there). Chapter One was rough, she came across as emotionless and bland, and her descriptions were quite boring, not to mention rushed. She got better during Chapter Two, and really hit her stride in Chapter Three and beyond. She differentiates the characters quite well so you always know who's talking, and seems to be good at affecting different accents. She conveys the emotions of the characters very well, and picks up the pace of the narration during the action scenes effectively conveying the urgency of these scenes. It's not perfect, but all in all, I'm impressed, and plan on finishing this trilogy.
"Great Srtory and Preformance"
This a great story that has action a plenty along with a imaginative dissection of the human condition and what being human means. The setting and characters are well imagined and developed using very descriptive prose.
After listening to the story I quickly purchased the second book in the series.
Dina Pearlman is also one of my favorite narrators....
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