We are currently making improvements to the Audible site. In an effort to enhance the accessibility experience for our customers, we have created a page to more easily navigate the new experience, available at the web address www.audible.co.uk/access.
But What If We're Wrong? Audiobook

But What If We're Wrong?: Thinking About the Present as If It Were the Past

Regular Price:£23.49
  • Membership Details:
    • First book free with 30-day trial
    • £7.99/month thereafter for your choice of 1 new book each month
    • Cancel easily anytime
    • Exchange books you don't like
    • All selected books are yours to keep, even if you cancel
  • - or -

Publisher's Summary

We live in a culture of casual certitude. This has always been the case, no matter how often that certainty has failed. Though no generation believes there's nothing left to learn, every generation unconsciously assumes that what has already been defined and accepted is (probably) pretty close to how reality will be viewed in perpetuity. And then, of course, time passes. Ideas shift. Opinions invert. What once seemed reasonable eventually becomes absurd, replaced by modern perspectives that feel even more irrefutable and secure - until, of course, they don't.

But What If We're Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music 500 years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or - weirder still - widely known but entirely disrespected)? Is it possible that we overrate democracy? And, perhaps most disturbing, is it possible that we've reached the end of knowledge?

Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We're Wrong? is built on interviews with a variety of creative thinkers - George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others - interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It's a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It's about how we live now, once "now" has become "then".

©2016 Chuck Klosterman (P)2016 Penguin Audio

What Members Say

Average Customer Rating

4.5 (2 )
5 star
 (1)
4 star
 (1)
3 star
 (0)
2 star
 (0)
1 star
 (0)
Overall
4.5 (2 )
5 star
 (1)
4 star
 (1)
3 star
 (0)
2 star
 (0)
1 star
 (0)
Story
4.5 (2 )
5 star
 (1)
4 star
 (1)
3 star
 (0)
2 star
 (0)
1 star
 (0)
Performance
Sort by:
  •  
    Trygve 19/02/2017
    Trygve 19/02/2017 Member Since 2017
    ratings
    REVIEWS
    1
    1
    Overall
    Performance
    Story
    "Mostly very good"

    A little too meandering at times, and some of the looong tangents he went on at times felt only mildly connected, at best, to the main point of the book. Other than that, very enjoyable. Klosterman has a fun perspective on some things that's worth the listen, and I don't have anything against Fiona as a narrator

    0 of 0 people found this review helpful
Sort by:
  • Norris Family
    Seattle, WA United States
    13/06/16
    Overall
    Performance
    Story
    "Another bad review for the narrator"
    Any additional comments?

    I will read this book again. I may even try to listen to it again. But there is no debating the degree to which the performance takes away from this audio book. It's not so much that Fiona Hardingham (somewhat comically) mispronounces words like Akron, its that she rarely delivers Klosterman's thoughts with the proper cadence. She constantly ruins his jokes and worse, she often makes his complex ideas very difficult to process. When Klosterman takes over the narration for the final minutes it is such a (short lived) relief.

    The narration compounds the problems of the book. Unlike most of Klosterman's non-nonfiction this is not a book of essays. It would be fair categorize the book as philosophy although at times it comes closer to semiotics. I have no problem with this. These are both subjects I enjoy immensely. Unfortunately the book has a bad habit of raising interesting questions and then drifting away from them without addressing them satisfactorily. Gusty winds may exist.

    17 of 17 people found this review helpful
  • Bob
    09/06/16
    Overall
    Performance
    Story
    "I agree, Chuck must be the narrator!!"
    Is there anything you would change about this book?

    This is the second time recently that I have been eagerly awaiting the release of an audiobook by an author whom I adore to listen to read his own material. Bill Bryson not narrating his last was a great let down, and now this. I suppose Chuck would say that this is a very "first world" problem, and he would be absolutely right. None the less, one of my great pleasures in life is listening to Chuck Klosterman reading his great writing. His delivery, comic timing, and unique tone are all perfect for his material. Alas, he seems to have retired his voice. I suppose I may have to learn to read!!!


    What didn’t you like about Chuck Klosterman and Fiona Hardingham ’s performance?

    Fiona does a fine job, and she is a nice narrator in her own right. However, it's just not the same without Klostermans voice.


    22 of 25 people found this review helpful
  • Jonathan
    29/06/16
    Overall
    Performance
    Story
    "Why isn't Klosterman narrating his own book?"

    Chuck Klosterman is one of my favorite authors. But that's in large part because of his own very particular point of view. He writes in the first person and relates much of his material to his own life experiences.

    So it's just weird and off-putting to hear a British woman essentially pretend she's Chuck Klosterman as the narrator of this book. It's distracting and there's simply no way for me to really get into the material since I'm constantly reminded with the first person form that this is someone reading someone else's work to me.

    The book is great and I'll be buying the physical copy to read it properly. Don't bother listening to the audiobook version.

    4 of 4 people found this review helpful
  • Brooke L. Morris
    Philly
    22/06/16
    Overall
    Performance
    Story
    "Unbelievably wrong narrator"
    What did you like best about But What If We're Wrong?? What did you like least?

    If Chuck would prefer us to read his work rather than listen to it he should have just said so.


    13 of 15 people found this review helpful
  • Jay
    Bellevue, WA
    11/06/16
    Overall
    Performance
    Story
    "A VERY misleading waste of my money"
    Any additional comments?

    I already bought and read the kindle version of this book -- I ONLY bought the audible version because I noticed Klosterman was one of the narrators. I love it when he reads his own work, because he usually drops in a lot of parenthetical asides, so it's like getting Bluray bonus features on a book you've already enjoyed.

    This book is NOT "Narrated by Chuck Klosterman and Fiona Hardingham". This book is "Narrated by Fiona Hardingham (With an Introduction by Chuck Klosterman)". That is not a small difference. That is the difference between me spending or NOT spending $19 on a book I already own.

    22 of 26 people found this review helpful
  • Jennifer L. Lyndall
    02/07/16
    Overall
    Performance
    Story
    "Why a British lady reading?"

    She's a great vocalist and it was a great performance, but it was very strange to listen to Chuck Klosterman as-read by a female with a British accent. It's like an irreverent joke carried far past normal limits.

    7 of 8 people found this review helpful
  • Craig
    13/06/16
    Overall
    Performance
    Story
    "move this to the top of your list"

    I've apparently matured at the same rate as chuck because I've read nearly all of his non-fiction upon its release after being assured that 'fargo rock city' was well worth my time and would gladly suggest that others of my socioeconomic demographic do the same. his storytelling chops are on display in this often philosophical and sometimes confounding work which reached my ears at nearly the exact moment when I began to ponder "what's next" after personally concluding that the 'American Experiment' is failing. I won't spoil its contents because I pre-ordered the work and had no expectations beyond those inspired by its title before pressing play -- and neither should you.

    3 of 3 people found this review helpful
  • J. Bickett
    San Francisco
    11/06/16
    Overall
    Performance
    Story
    "klosterman goes long..."

    This book is more dense than his erlier work and is driven I suspect by an ambition to go deeper. While full of interesting ideas as always, I bet some would be turned off by this books tone and the less joke peppered conversational style the author is known for. All in all tho I think this is a great effort from a towering intellect. well done sir!

    3 of 3 people found this review helpful
  • Tiger
    08/06/16
    Overall
    Performance
    Story
    "Chuck only narrates the first 4 minutes..."
    Would you recommend this book to a friend? Why or why not?

    I purchased this audiobook because I LOVE Klosterman. I realized 30 seconds into chapter 2, that what I LOVE, is Klosterman reading Klosterman. I am confident that Fiona Hardingham is a wonderful narrator but it feels jarring to hear her reading this material. I can only assume that the content is classic Klosterman but I cannot consume it in its current incarnation.


    31 of 38 people found this review helpful
  • mike
    United States
    13/06/16
    Overall
    Performance
    Story
    "Don't Listen To While Driving!"
    What could have made this a 4 or 5-star listening experience for you?

    I am a huge Klosterman fan, but multiple times during this book I thought that he had either lost his touch or I was having a series of grand mal seizures. Chuck is great at microscopically thin-slicing a premise, dragging you through a labyrinth of seemingly unconnected thought-bites before expertly tying all the extraneous pieces together into a potentially worldview changing conclusion. Don't expect too much of that here. The vast majority of these thought experiments are discursive and left dangling, a maddening series of non-sequiturs. Even when he does close the loop it's mostly unsatisfying. He actually stated that Barack Obama was the greatest President during his lifetime because he was black and as a black man it was really difficult to get elected. True. But, for a guy who earns his living making fine distinctions, how could he not he not differentiate between getting elected President and actually being President. (And, unless you're 16 or under there is absolutely no way that you could make a substantive argument for Obama being the best during your lifetime).


    Would you be willing to try another book from Chuck Klosterman? Why or why not?

    Sure. Chuck is very talented and I'm sure he'll bounce back.


    How could the performance have been better?

    Having a British fembot read the book made the experience all but unbearable. Jane Austen, yes. Klosterman, no.


    What reaction did this book spark in you? Anger, sadness, disappointment?

    Disappointment.


    6 of 7 people found this review helpful

Report Inappropriate Content

If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.

Cancel

Thank you.

Your report has been received. It will be reviewed by Audible and we will take appropriate action.