Anyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right?
Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make - so that you don't have to make them yourself.
©2009 Roberta Marie Munroe (P)2014 Hachette Audio
"Roberta Munroe is that rare person in the film world who can not only recognize an inspired, great film, but she can actually help you make one." (Mark Duplass, Sundance and SXSW award-winning filmmaker)
"Roberta Munroe is brilliant. Her advice and insights on our project, The Tribe, from rough cut to completed film were instrumental and invaluable to its success. It is exciting to think that all filmmakers will have access to her incredible mind and experience through this book." (Tiffany Shlain, award-winning filmmaker)
I read the book when it was first printed, but it was great to actually hear Ms. Munroe read the audio book herself. Nice voice over!
All I can say is I have learned a lot from this book and very thankful to the author for her wisdom.
"SHE'S OUR FILM FEST SPY"
So much insight to what I thought I already knew! Roberta has acted as a film festival spy for us filmmakers! Definitely will take the advice going forward! Thanks Roberta! I'm sure we'll be in touch soon.
"Crucial for any filmmaker"
There's just too much info for someone to remember. Get your producer room team together, give them this incredible resource and make your film amazing!!
"picked up before a 48 hour film fest"
While the book was an interesting stream of conciousness on the authors experiences the book was not helpful in a technical sense.
"A great short book about a great big subject"
this book exceeded my expectations.
It's both entertaining and informative. The author clearly knows her subject, has been both a film festival (Sundance!) Curator, And a short film maker herself.
She reads the book very entertainingly and again, is both interesting and often very funny.
This book goes by very quickly, and is worth listening to a lot more than once.
Lots of great tips, practical advice, suggestions and ideas both for making the film, and marketing.
I also have the text version on my Kindle for easy reference.
"Don't buy it"
The most superficial filmmaking book I have ever read.
No inside advice and a very cocky attitude over nothing.
"In Your Face Real Of The Unreal Biz of Shorts!!!"
Don Nahaku says Roberta Marie Munroe's "how not to" book for filmmakers of Shorts will nicely kick your ass...or send you back to your mommy crying, "but I can't do it!"
Explicit, real and an intentional push toward your own truth. Nothing to loose...but yourself! Just let the world know YOU, by any means necessary...
"Misleading title, but VERY impressed by this book"
I'm an independent filmmaker, having graduated from film school a couple years back. And my primary interest as a filmmaker is making independent short, narrative films, so I picked up this book, hoping to get a few practical pointers.
What I was expecting/fearing from this book, given the title, is an arrogant know-it-all type of author, without much credibility other than a lot of very strong opinions, telling me how everything I've done is wrong but without much to say about how to necessarily do it better.
Thankfully, the book is actually the exact opposite of this.
First off, the writer clearly knows her stuff, having made many successful short films, produced many other films, and been a programmer at film festivals. Also, she focuses mainly on the positives, not the negatives. Namely, what are the elements needed to make a successful and compelling short film. And she breaks down all the phases independently. The concept, the fund-raising, writing, putting together the production team, the talent, the post-production team, the planning, shooting, and post-production. Lots of stories and practical advice about all those areas. Then she spends the rest of the book talking about what comes next. Getting the film into festivals, distribution, local screenings and so forth, and how each thing can benefit the filmmakers and to what extent.
I loved the book from beginning to end. It now has a permanent spot on my bookcase, and I highly recommend it to all filmmakers and aspiring filmmakers that are trying to make a name for themselves through creation of short films.
"Waste of my credit"
This book points out the obvious a lot. It may be useful to you if you have no experience in the industry, but it seems to be the same old song most of us have always heard, and it's read in an almost condescending tone. It feels like she wrote the book so someone would listen to what she had to say rather than to teach people about making shorts for festivals.
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