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Visions of Cody
- Selections from the Novel
- Narrated by: Graham Parker
- Length: 3 hrs and 7 mins
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Summary
"What I'm beginning to discover now is something beyond the novel and beyond the arbitrary confines of the story. . . . I'm making myself seek to find the wild form, that can grow with my wild heart . . . because now I know MY HEART DOES GROW."—Jack Kerouac, in a letter to John Clellon Holmes
An underground legend by the time it was finally published in 1972, Visions of Cody captures the members of the Beat Generation in the years before any label had been affixed to them, with Kerouac's trademark appreciation for the ecstatic and ephemeral moments of life
An experimental novel which remained unpublished for years, Visions of Cody is Kerouac's fascinating examination of his own New York life, in a collection of colourful stream-of-consciousness essays. Transcribing taped conversations between members of their group as they took drugs and drank, this book reveals an intimate portrait of people caught up in destructive relationships with substances, and one another. Always transfixed by Neal Cassady—the Cody of the title, renamed for the book along with Allen Ginsberg and William Burroughs—Kerouac also explores the feelings he had for a man who would inspire much of his work.
Critic reviews
"[Y]ou will find some of Kerouac's very best writing in this book. It is funny, it is serious. It is eloquent. To read "On the Road" but not "Visions of Cody" is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac's wildest writing."—The New York Times Book Review
“Visions of Cody is [Kerouac's] greatest book, according to his own opinion, and its music is testimony to [his] verbal inventiveness and virtuosity . . . the range and variation of style within his remarkably growing bookshelf is just as remarkable . . . there is a grace, a majesty, and a tenderness to his language . . . both the inspiration and the content of this literature is of an intuitive, emotional, and mystical nature.”—The Village Voice
"The most sincere and holy writing I know of our age."—Allen Ginsburg
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- Mr. R. E. Towers
- 17-04-21
Fast paced trip through the Beat Generation
This is a glorious, fast-paced and evocative book about the new Beat Generation and counter-culture of America in the 1950s.
It is written in a stream of consciousness style with breathless sentences and is a wonderfully disjointed journey written from transcribed conversations between Duluoz (Kerouac) and Cody (Neal Cassady).
It is written as sketches or poetry rather than a novel and generally covers the trip by Duluoz from New York to to visit Cody in San Francisco. The first part is Duluoz planning and the second part is their adventures.
The writing is so sumptuous and evocative. There are bums, 50 cent whores, pool halls, trains, bars and diners.
There is much drinking and pot smoking and late night parties with waitresses, their are crazy characters such as Carlo Marx, and Dean Moriarty. Essentially the book is about rebellious young people trying to build a life after the failure of the American Dream.
Rumour has it that Kerouac wanted to write like Proust had in his epic In Search of Lost Time. He quotes Proust appreciatively. Rumour also has it that Duluoz (French Canadian slang for louse) was created in Liverpool where Kerouac was stationed in the merchant navy. All Kerouac's books are essentially parts of one single, larger work.
Anyhow I have chosen to review Visions of Cody rather than his other titles as it is my favourite and contains some of Kerouac's best writings and sadly wasn't printed until twenty years after it was written in 1952 because of sexuality explicit content which, these days, is hardly noticible.
Most importantly, Graham Parker's reading together with the accompanying music take what is already an outstanding book and make it into a sensory work of art.
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