Venetia Lanyon, beautiful, intelligent and independent, lives in comfortable seclusion in rural Yorkshire with her precocious brother Aubrey. Her future seems safe and predictable: Either marriage to the respectable but dull Edward Yardley, or a life of peaceful spinsterhood. But when she meets the dashing, dangerous rake Lord Damerel, her well-ordered life is turned upside down, and she embarks upon a relationship with him that scandalizes and horrifies the whole community. Has she found her soul mate, or is she playing with fire?
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©1958 Georgette Heyer (P)2014 Naxos AudioBooks
I was so happy to see another Georgette Heyer book narrated by Phyllida Nash, thank you so much! The story is one of my favorites, too, and Phyllida Nash gives it full scope with her wonderful reading. I am eagerly waiting for the next one as I am re-listening this one again and again :).
Anyone who's read the book will know that, far than the slightly Barbara Cartland sounding publisher's 'summary' suggests, it's a wonderful comedy of manners with some strong characters and a great deal of humour.
There is the usual strong cast of supporting characters, all distinct. I think I love the cameo of Sir Lambert Steeple as much as Sir Bonamy Ripple in False Colours, and they such have a lot in common. Edward Yardley, Venetia's 'worthy' suitor, is someone we'd never want to be stuck in a lift with. Aubrey, Venetia's younger brother, is genius in more ways than one, and as for Mrs Scorrier... she makes every mother in law in history look like sweetness and light.
I left this till late in my journey through Heyer on Audible as a treat, and wasn't disappointed. Phyllida Nash nails them all, she doesn't just read it, she brings them all to life. Brilliantly - even the men's voices are spot on. Her best since The Talisman Ring as far as I'm concerned. If you've not listened to this one yet, put your feet up and prepare to enjoy yourself.
I'm a bookblogger living in the north of England. My favourite authors include Jane Austen, Georgette Heyer and William Gibson.
The narrator, Phyllida Nash, does a tremendous job here, pretty much a perfect piece of narration. The heroine often has a laugh in her voice, which is enchanting, and the pompous Edward is wonderfully irritating.
Yes, I would. Phyllida Nash is a joy to listen to, and Venetia is an old favourite of mine. I am near to completing my Heyer library
Phyllida Nash can make her voice so very different when describing each character that I have no particular favourite, They are all beautifully described.
The supreme female readers of Georgette Heyer's novels are Sian Phillips and Phyllida Nash, I have never been disappointed in their interpretation. Sarah Woodward also made a splendid job of The Grandy Sophy. What about publishing some of Heyer's detective stories too?
One of my favourite GH books, as there is so much sparkling dialogue between hero & heroine. It is also one of her less improbable story lines - the plot is on the whole believable! These things could have happened in that era, but I liked the fact that hero & heroine were resisting the established norms! The reading is excellent - I particularly liked her portrayal of Damerel.
It's one of my favourite books
This book is funny and full of energy and surprises
No, but I liked the way she reads her voice is very clear and pleasure to lessen too
"Heaven for Heyer Fans"
Hard on the heels of Naxos releasing "The Grand Sophy" and "Sylvester," two of Georgette Heyer's greatest, comes the equally wonderful "Venetia." All three books were written at the peak of Heyer's career. "Venetia" has a bit more melodrama than "Sophy" or "Sylvester," partly because of the reformed rake with a painful past that is the the hero, Lord Damerel.
All her life Venetia has heard oblique references to her "delicate position," along with veiled warnings that she must be especially protective of her reputation, "so as not to be thought to be...." At which point her well wishers generally trail off and say something like "....but I must say no more on that head," leaving Venetia puzzled, to say the least. The arrival of the charming but brooding Damerel increases these warnings to a fever pitch, for reasons that the reader will probably guess before Venetia solves the mystery.
During her lifetime Georgette Heyer was said to resent the fact that her Regency romances were so much more popular than her mysteries or her historical fiction. I agree her mysteries are underrated (particularly "Envious Casca," which I think is a minor masterpiece that Masterpiece Mystery should dramatize immediately), but, whether she agreed with the assessment or not, her Regencies are in a class by themselves. The best of them -- including Venetia -- stand head and shoulders above the pack. Enjoy!
"No Guilt Here!"
I gave up calling Georgette Heyer a "guilty" pleasure a long time ago. A literature major, I was taught that certain genres of writing are just inherently inferior - and one of them, of course, is Romance. Now I know that good writing is good writing, whatever the genre, and writing doesn't get any better than in "Venetia"!
The story is a fairly common one in historical romance: "good" girl heroine attracted to "bad" boy hero. But Heyer does it so well here. The characters (major and minor) sparkle with humor, wit and personality. There are even valuable lessons in tolerance and reserving judgment.
Venetia is an exceptional leading lady, full of life and heart, and I predict that anyone (even those who aren't big Romance fans) will fall in love with her, with her flawed love, with her brother, and even with those minor characters who so perfectly reflect the oddities in our fellow humans.
And no small credit goes to the wonderful Phyllida Nash, who narrates this with great energy and skill. "Venetia" has long been a favorite read; now it's also a favorite listen! Along with Audible's versions of "Sylvester" and "Sprig Muslin", this will certainly appeal to Heyer fans and would be an excellent introduction to her really superior books.
Georgette Heyer is considered the inventor of the Regency Romance, and although she wrote a wide variety of different types of novels, her comedies of manners set during the Regency period in England are among her best and the best in the field. This book has long been at or near the top of my list, the hero and heroine are both well read and intelligent and share a sense of humor, and I find their dialog to be a delight to read. And this book has more "face time" between the hero and heroine than many Heyer novels. Be prepared, Heyer wrote between 1921 and the early 1970's, and some of her assumptions seem strange to modern readers. But no modern author has been able to match her wit and insight. This book was first published in 1958 and written when she was in her prime.
Phyllida Nash does a good job of giving the listener the proper feel for the story. Well worth my credit to get at once. I am very glad that Naxos is releasing more unabridged Heyer stories. Their earlier abridged versions were not bad, but to get the most from Heyer one needs all the words, and I personally will never purchase an abridged title.
"5 stars!! I wish I could give it more!!"
Georgette Heyer ' s books are delightful. They never cross the line, and always deliver a wonderfully charming story. This narrator, Phyllida Nash, reads the books very well,endowing the characters with life. (And her accent is a great asset.). Buy it. It's enchanting. This is one book I will listen to again and again.
"One of Heyer's unusual heroines"
I enjoy Venetia Lanyon as one of Heyer's more unusual heroines. I can overlook the dated implication that she somehow inherited her relatively "loose morals" from her mother (and if you can't overlook dated ideas, you probably shouldn't bother with Georgette Heyer's novels), and just enjoy the character. She's more implicitly sexual than many of Heyer's leading ladies, and it really is fun to follow the progress of a young woman who doesn't care about the social restraints of the Regency era AND who isn't schooled into submission for it.
All that said, it's not my favorite Heyer novel. The characters, with a couple of exceptions, don't leap to life the way her best ones do, and there are long stretches between plot points. It's an enjoyable listen, and of course Phyllida Nash does a wonderful job here as in all her Heyer readings, but unlike greater favorites (Cotillion, Frederica, Lady of Quality, The Grand Sophy...), this one isn't bearing up to multiple listenings.
"If you like Jane Austen, try this book"
This was my second attempt at a Georgette Heyer book. They are so frequently recommended, but the first Heyer I read just didn't do anything for me. I thoroughly enjoyed Venetia, however. Phyllis Nash does an excellent job reading it, which probably helped more than a little, and the main character was fabulous.
"Such a good book"
If you haven't tried Georgette Heyer, Venetia is a great place to start. Charming, humorous, fun heroine and hero, witty dialogue. Heyer simply writes a good story. And it's squeeky clean, safe for grandmother's ears.
I was somewhat hesitant to try this narration in that I simply adored the version by Richard Armitage and feared I would be disappointed with another narrator, but I was most delightfully pleased by Ms. Nash's performance. I will certainly seek more books performed by her.
"One of Heyer's best"
I would definitely recommend this book to anyone who enjoys romance along the lines of a comedy of manners set in the Regency period. I don't think there is any author who writes in that genre who is better the La Georgette, and this is one of her best.
Venetia was my favorite character of course. Most of the men around her think she's a helpless female. She's anything but that.Unlike the heroines in most Regency romances, she doesn't care a bit about cutting a dash in London or going to ton parties.
Also, there have been some comments that Phyllida Nash sounds "too old" to be Venetia. But I found Nash's cultured voice to be exactly perfect for listening to a Regency romance. I wouldn't have changed her performance at all.Her reading helped bring to life the atmosphere and characters as I am certain Heyer intended.
I'm a big fan of Heyer's. When I tell people about her books, many aren't interested -- they sound too starchy. But everyone I know that has actually READ one of her romances goes on to the read the rest. They are so good that I've barely finished one and I'm starting another.
"ANOTHER GREAT WORK FROM HEYER!"
Before stumbling upon my first Georgette Heyer novel a few years ago, I was not into romance stories. But I found "Frederica" to be be a great story with well-defined intelligent characters. I then listened to every book available in audio format - at that time about 25 titles. The beauty of Heyer's books is that it matters not who narrates them as long as he or she is reasonably competent. Because each novel stands on its own, the listener doesn't become overly comfortable with one narrator, causing a disruption if there is a change. It had been a while since a new audiobook had been released so I was pleased to be able to enjoy this one. Lead character Venetia is the usual strong female who can live unmarried but doesn't mind when "Lord Right" comes along. Queen Elizabeth I could have learned a thing or two here - the whole "Virgin Queen" thing was a bit much! Heyer's books are very relevant for our time even though written long before feminism, birth control, and couples being sexually nasty for no reason. I'm no prude but it is nice to read a book where love is supreme, respect is obvious, and sex is hinted at without being graphic.
I thoroughly enjoyed listening to this book. The story was very interesting and followed beautifully from beginning to end. The reader was good but she sounded too old for the part. The main character, Venetia, was 25 and the reader sounded a mature 50. There was not a gentle lightness that a girl of 25 would have. Instead the reader did sound like someone who smoked a pack of cigarettes a day. I highly recommend this book. I was sad that it ended. I wish there was a sequel.
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