The painted drum at the center of this lovely book is Ojibwe. It is found, radiating shamanic power, by estate appraiser Faye Travers. That Faye herself is Ojibwe is the first of many repeating motifs in this narrative of linked stories about the people whose lives have been changed for good or ill by the drum. Anna Fields's performance is a tour de force. She was coached in Ojibwe pronunciation and is as convincing as gruff Ojibwe Bernard Shaawano, whose grandfather made the drum, as she is portraying the light voices of the doomed girl children who haunt the book and the smoky timbre of an old Indian woman.
From Faye's discovery, we trace the drum's passage, from the reservation on the northern plains to New Hampshire and back. Through the voice of Bernard Shaawano, an Ojibwe, we hear how his grandfather fashioned the drum after years of mourning his young daughter's death, and how it changes the lives of those whose paths its crosses. And through Faye we hear of her anguished relationship with a local sculptor, who himself mourns the loss of a daughter, and of the life she has made alone with her mother, in the shadow of the death of Faye's sister.
Through these compelling voices, The Painted Drum explores the strange power that lost children exert on the memories of those they leave behind, and the intricate, transformative rhythms of human grief. One finds throughout the grace and wit, the captivating prose, and surprising beauty that characterize Louise Erdrich's finest work.
©2005 Louise Eldrich; (P)2005 BBC Audiobook America, Inc. & HarperCollins Publishers, Inc.
"Erdrich draws us into her exquisitely detailed world effortlessly....Hard to believe, but Erdrich just keeps getting better." (Kirkus Reviews)
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