A picture hides a thousand words....
On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever.
Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. Although Quick takes Odelle into her confidence and unlocks a potential she didn't know she had, she remains a mystery - never more so than when a lost masterpiece with a secret history is delivered to the gallery.
The truth about the painting lies in 1936 and a large house in rural Spain where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half sister, Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences....
Seductive, exhilarating and suspenseful, The Muse is an unforgettable novel about aspiration and identity, love and obsession, authenticity and deception - a masterpiece from the million-copy best-selling author of The Miniaturist.
©2016 Jessie Burton (P)2016 Audible, Ltd
A story about love, talent, secrets. It takes us to 1967 London where Odelle encounters almost constant racial prejudice and 1936 Spain at the beginning of the civil war with Olive, Isaac and Teresa.
Gender bias in the Art World, which is also the theme of Siri Hudsveldt The Blazing World, is at the heart of this novel and part of the plot.
It is extremely well written and totally enjoyable. Odelle and Olive, both talented women, are so present that I feel I know them personally.
There is suspense, horror and secrets, many secrets which are unveiled very cleverly as the story unfolds.
The narration by Cathy Tyson is very good and add to the enjoyment.
Writer and audiobook reviewer.
Having sold a million copies of The Miniaturist is a hard act for author Jessie Burton to follow, and some of the difficulties which she experienced after her phenomenal success feed into her new fiction. Creating a successful work of art - here it is a painting - can have overwhelming and even tragic consequences.
The artworks at the centre of this story were painted by Olive Schloss, the 19 year-old daughter of Viennese art dealer Harold and his mentally fragile wife Sarah who have emigrated to Andalusia in the 1930s as the Civil War begins to simmer around them. 16 year-old Teresa Robles is soon entrenched with the family as a helper, and she becomes a close friend to Olive. More importantly she introduces Olive to her half-brother Isaac, an aspiring but pedestrian artist - and a burgeoning revolutionary - with whom Olive falls deeply in love. Olive is an inspired and gifted artist hiding her work away from public view, showing it to only Teresa, and it is Teresa who tricks Olive and shows the work to Harold Schloss, presenting it as her brother Isaac's work. (Easy to do since Harold believes no woman could ever be an artist). And so begins a dangerous game which leads ultimately to tragedy against the back drop of the increasingly vicious Civil War which the Schloss family can no longer ignore.
The other part of the story takes place three decades later in 1960s London. Trinidadian Odelle Bastien has been working in Dolcis for five years before she lands a job as a typist at the Skelton Institute where the woman co-director, the enigmatic Marjorie Quick, sees her potential, encourages her to write and secures the publication of her first work in London Review. Just as Teresa played midwife to Olive's art, so Quick (as she is known) plays midwife to Odelle's creativity. One day a young man, Lawrie Scott, brings a picture into the Skelton believing that it might be worth money. Quick's shocked reaction to the canvas arouses Odelle's curiosity and so begins a complex mystery about the painting, Lawrie (who falls in love with Odelle) and Quick which is gradually solved in the increasingly dramatic drama played out in the Andalusia sections of the story.
Jessie Burton is a subtle artist with words and her painter's eye makes the descriptions of place and paintings palpable and beautifully detailed: the 'apeggios' of birdsong; the 'grasshopper greens' and merging russets in Olive's paintings. The plot certainly draws you in, the devastating twist towards the end was pleasingly shocking (I'd guessed wrong), and the whole is bright with intense colour and detail. Overall, I think Jessie Burton tries to cover too much - 1960s hostility to immigrants like Odelle; women's struggle with their own creativity; the question of identity and belonging and not belonging; love and betrayal.... The list could go on. And then there's the examination of 1930s Spanish art, the violence of the Spanish Civil War and the art industry in 1960s London; the social mores of 1960s England..... all scrupulously researched but which do sometimes drag down the narrative.
The audio version presents a particular problem which is unsolvable, but left me feeling a bit cheated. There are many different accents adopted by the narrator which obviously keeps the pace and variety of the story and the many characters, but it is a problem when it comes to the mysterious Quick. Also there are unlikely elements which stretch credulity along the way, and the final London section pivots on an event which would fit into a nineteenth century novel!
Despite any quibbles, it's an ambitious and absorbing novel well worth listening to, and will no doubt sell a million copies!
Brilliant story and wonderfully narrated by Cathy Tyson who really made the characters come alive, and she must be the best narrator I've heard. a real twist at the end. Simply superb !
Definitely! The story is gripping and well written. I've recommended it already and the feedback was just what I expected.
The way the different cultures are reflected and how well researched it is.
As a native speaker of both English and Spanish, I really enjoyed the way she handled the different accents. Even though there were a few words in Spanish that she didn't pronounce properly, I believe it was actually better for listeners who don't understand the language.
Yes, several moments moved me, especially Odelle's impressions of life in London in the 60'. There were several other moments, but I can't comment on those without including spoilers.
I enjoyed every minute of this book.
After expecting Jessie Burton to narrate again it was a surprise to hear Cathy Tyson however she did a wonderful job. Another great story from this author, different but equally intriguing and beautifully written.
What a cracking novel. I loved this book. Excellent character development and intricate story telling. A journey of intense emotions. Beautifully narrated too. Highly recommend.
I stopped watching TV to listen to this amazing captivating story which is really two stories in one with Quick as the common thread.
This is a difficult book to narrate, lots of characters and at least 4 very different nationalities to produce consistent accents for. A real credit to Cathy Tyson that she managed to sustain them all.
The book is a bit overwritten in places, with cliches creeping in now and then that the Jessie Burton could have avoided, as on the whole she writes well enough to do so.
The atmospheres of the two eras were captured well, and made visualization of the scenes quite easy.
So, worth the time spent? Yes.
Would I recommend it? Yes, with the comment not to expect something quite as good as The Miniaturist.
I look forward to her next book.
This is an engrossing story, full of atmosphere, switching between Spain in the 1930's and London in the 1960's, both of which are evocatively described. There is an intriguing connection between the two - and an interesting twist at the end. The characters are well drawn and well brought to life.
The reading is universally excellent although the various accents employed occasionally slip into caricature.
Overall, I much enjoyed this - even more, I think, than the excellent 'The Minituarist'.
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