Shortlisted for the Man Booker Prize 2011
A riveting psychological drama that unfolds over the course of one Moscow winter, as a thirty-something Englishman's moral compass is spun by the seductive opportunities revealed to him by a new Russia: a land of hedonism and desperation, corruption and kindness, magical dachas and debauched nightclubs: a place where secrets - and corpses - come to light only when the deep snows start to thaw...
©2011 A.D Miller (P)2011 WF Howes Ltd
I have thoroughly enjoyed this book. It is refreshing to read foreigner/expatriate's perspective of real life in Russia with its beauty and ugliness well balance. The author is not patronising which is refreshing. Excellent Debut. The only complaint is narrators russian pronounciations. Inaccurate and not really good. However, his switch between british and american was pretty good.
The actual reading was fine - the story was just a bit dreary and you could see what was going to happen almost from the start. The reading was a bit downbeat which added to the feeling of gloom. Atmosphere was good but it never really went anywhere interesting. So, overall, not terrible, but not worth getting very excited about.
I find it hard to understand why this book made it to the Booker shortlist. The pace is very slow, the characters are dislikable and the conclusion is obvious from about half way through. The reader did his best to inject some life into the story but it was one of the few audiobooks I've listened to that I was glad to finish.
Brilliant listen. I'm sure the print version is a great read but the combination of the almost documentary confessional first person narrative of the novel and the narrator's style is surely ideal.
A wonderful book, beautifully read. Highly recommended and enough twists and turns to keep you captivated from start to very satisfying finish.
A slow-paced novel with predictable outcomes evident from the opening chapters. Poor pronunciation of Russian words from the reader.
The predictable plot.
The reader should have researched the Russian words and pronounced them correctly.
The characters were fine, however they lacked depth.
Having lived in Moscow and having visited St. Petersburg and Odessa, my interest was only maintained by the accurate descriptions of Russian culture and the cities in question.
This has to be the slowest book I have ever come across. You feel there has to be a point to it but it takes so long to get there. I reached the end more with a sense of achievement than enjoyment unfortunately.
The more negative reviewers may have missed the point with 'Snowdrops'; it's the small details and brutal honesty about personal failings that make the first-person narrative work so well, and it's allied to excellent narration as well. Miller was good writing for the Economist and even better here.
I enjoyed this book. The writing/narration is very atmospheric and made me imagine I was really there, in modern day Russia, and it rekindled my curiosity about the place. However, it was too easy to see where the story was going, both on the main character's personal and professional level, so I didn't feel a great deal of suspense or tension. Still, it is a book that will stay with me and one that I reckon would look fantastic on the silver screen one day, given the right actors and screenplay adaptation.
"Not interested in the characters"
The Man Booker Prize is an eminent guide to what is regarded is amongst the best contemporary writing. As a result I listened to Snowdrops, which was on the 2012 short list.
I will be interested to know what other audible reviewers think of this acclaimed book. Try as I might, I could not become interested in the dreariness of Russia and the characters. The writing was succinct -- very skilful -- and enriched with the details of place. The author captured the sense of an outsider trying to understand where he fits into his old and the new society. The story-line demonstrates how inaccessible a new society can be, however well meaning and sincere the motives of the outsider can be.
The modulations of reader's gentle tone -- he addresses the listener directly -- cleverly reflected the content.
I would not be surprised if other reviewers give 5 stars to all aspects of Snowdrop. My ratings reflect the fact that ultimately I simply was not drawn to any of these people and their lives.
"Humanity found and lost in modern Russia"
Snowmelt reveals Russia
the narrator because he is the one who is experiencing the truth of modern Russia and its moral degradation while at the same time retaining glimpses of its former glory. He also identifies the human experience of loss of something treasured despite its degeneracy.
His amazing variation of voice brings alive the experience of Russia in a way that simply reading it cannot.
The narrator, the lawyer, because he has been caught up in the moral degeneracy of modern Russia and in the end is able to see it and understand it without discarding it. That's the way it is in Russia and those who have felt it feel a sense of loss on leaving it.
AD Miller is well qualified to write about Russia. He is a British journalist trained at Cambridge and Princeton who was for 4 years a correspondent for
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