"Options" Copyright ©1979 by John Varley; "Permafrost" by Roger Zelazny Copyright ©1988 by Omni Publications International Ltd.; "The Poplar Street Study" Copyright ©1985 Karen Joy Fowler; "Why I Left Harry's All Night Hamburgers" by Lawrence Watt-Evans Copyright ©1987 by Davis Publications; "Our Lady of the Sauropods" by Robert Silverberg Copyright ©1980 by Agberg, Ltd.; "Fat Farm" by Orson Scott Card Copyright ©1980 by Omni Publications International Ltd.; "The Sentinel" Copyright ©1951 by Arthur C. Clarke; "Skin Deep" Copyright ©1987 by Kristine Kathryn Rusch; "Feedback" Copyright ©1993 by Joe Haldeman; Copyright (P)1995 by Dove Audio, Inc.
The SF&F lives up to its normal high standards with this collection of short stories, but somehow the editor has decided to skip author and title of each story. This detracts from the overall impression. Other than that I feel this is a good read, as long as you're prepared for it to be read as one continouos story.
"Just one complaint"
This is a fine collection. The narration is also good. The one REALLY annoying characteristic is that there is no break between stories. No announcement of author, title, date etc. The next story just starts in with even less pause than between sentences within a story. If it were not for the fact that the narrator changes, you would not even be able to tell only by listening when one ends and the next one starts.
"Needs a pdf download to track book titles/authors/"
I agree with another reviewer in that there is no way to know the title and author of the short story, or for that matter who is narrating. A break between stories and an introduction to identify the narrator would be a welcome enhancement. Most books on tape have this feature, and this shortfall is somewhat frustrating when trying to identify selections from a collection.
If nothing else, to have a pdf document posted to the site with this information would be tremendously helpful.
Other than that shortcomming, the stories met my expectations of these well known authors. The stories spark imagination and easily transend the decades since they were created and are every bit as entertaining today.
The writing is great, the naration is entertaining; but the lack of knowing exactly what you are listening to detracts from the entertainment value.
"Table of Contents (Listed by Audible Chapter)"
1 “This is Audible” Introduction.
2 "The Sentinel" by Arthur C. Clarke, read by Siddig El Fadil.
3 "Fat Farm" by Orson Scott Card, read by Roddy McDowall.
4 "Our Lady of the Sauropods" by Robert Silverberg.
5 "Options" by John Varley, read by Claudia Christian.
6 "Why I Left Harry's All Night Hamburgers" by Lawrence Watt-Evans, read by Wil Wheaton.
7 "The Poplar Street Study" by Karen Joy Fowler, read by Terry Farrell
8 "Skin Deep" by Kristine Kathryn Rusch, read by Robin Curtis.
9 "Permafrost" by Roger Zelazny, read by Siddig El Fadil.
10 "Feedback" by Joe Haldeman, read by Nana Visitor.
Review of “Options” by John Varley
I wanted to listen to this collection because of one story: “Options” by John Varley. “Options” is one of Varley’s 8-Worlds stories and fits early in the overall chronology, circa 100 O.E., Occupation Earth. Varley handles the subject of what would happen to society if easy, safe and completely reversible sex-changing were to become a reality. When this was written in 1979 is was far more shocking and fantastic that is may seem today. The wonder of the story is that Varley manages to take the reader, or listener in this case, from the initial reaction of shock and disgust to the point of empathy for the sex-changing character. Varley is one of the science fiction greats. Listen to this story and you will hear why.
"Nice Road Trip Book"
I enjoyed this audio book and was entertained on my extended drive to Atlanta. I agree with the other reviewer on the transition between stories; there is none, one story ends the next begins. Was not too big of a deal but I found myself wondering what was the title to that story and is that really Roddy McDowall??? I also had problems with the volume of the narration being different from one story to the next. The stories wont blow your mind however, it was worth the one credit for entertainment value.
"Despite it's less than stupendous ratings..."
I enjoyed this audiobook a lot. The narration was done by familiar voices. It was acted out rather well. The content was great as well. The only complaint I had was that two stories were louder than the other. I would turn the volume up pretty loud (being on the freeway and all...) and then have to turn it down when it went on to a louder story. But only one narrator was loud and she did two stories, so it's not much of a complaint.
"Good material, horrible production"
1. Announce the story titles and authors2. Better audio quality
Great stories from some of my favorite authors
I gave this a 1-star review because I would rather not have purchased it. The audio quality is very poor (it sounds like the narrators are calling from the 1970's over a bad transatlantic phone call).But the worst thing about it, as several others have pointed out, is the lack of breaks between stories, and the inexplicable omission of story titles and author credits. How on earth did this get into production without those key elements?
"More of the Best not the best"
I have only listened to the first three stories and am immensely disapponted .. not in the reading which is very good, not in the literature which is very entertaining, but in the audio book itself. This is a book of short stories, but the presentation lacks titles, authors and readers for each story. Very confusing to listen to, so it really detracts from the enjoyment.
"no titles between stories, 1 duplicate from first"
while I Enjoyed some of the stories the lack of formatting or even a pause for the title and author between stories was disappointing. Also one of the stories is repeated from the first collection which brings down the number of new stories to 9
"Dull and poor quality"
Sadly not worth buying as an audio book. Poor audio quality and not enough good stories.
"serious production issues"
They really should have at least put pauses between stories, and having the narrator state the title and author of each story before reading it would have been really lovely. They did none of this. I could not figure out which stories were which, and more importantly, which author wrote each. Only a couple of them were clear from the title, and even those I had to find out by looking up the paper edition of the book online, separately.
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