Change keeps stalking Edward Stanton. He and his new wife, Sheila, have retreated to his small house in Montana after an unsuccessful attempt at operating a motel in Colorado. That failure has left wounds, especially for Sheila, and now they face a bigger challenge: pregnancy and impending parenthood.
Edward begins penning notes to the child (ever precise, he refers to the gestating being as "Cellular Stanton"), as he navigates married life with Sheila, who is unhappy and unfulfilled in Montana; a work partnership with his friend Scott Shamwell, whose own life is teetering; and the emergence of a long-buried family secret, and the effect of this revelation on his relationship with his overbearing mother.
Even as Edward's world expands, he must confront questions about whom to let in, how much to give, the very definition of family, the fragility of hope, and the expanses of love.
©2016 Craig Lancaster (P)2016 Craig Lancaster
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"I love Edward"
Edward is delightful
Should have stuck with the original narrator. Luke Daniels was so, so, so much better. But, I did like the story
"I hate to say it was not up to par"
I have LOVED all of Craig Lancaster's novels (can imagine Ed questioning why the same word should be more meaningful simply because it was typed in all caps). This installment was a HUGE (there I go again) disappointment simply because it felt like just that: an installment. "Blah, blah, blah...this is what would happen if our couple were to get pregnant and we would introduce some more characters for future installments." As much of a fan as I am, I will read reviews before downloading the next "Edward" (where they obviously lead with the new daughter and her coming to terms with the mildly odd dad). There was nothing "new" here (as opposed to the first Edward, which was magical). Dare I say it: almost boring. If you have not read any of the previous books in this series, don't do this one (it assumes you know and love and understand the main character from previous novels...otherwise he's simply annoying). If you have read the previous books, prepare to be underwhelmed.
Loved the book. Full of Edward's unique views of his world and of course humour that make Lancaster's first two books such a joy to read.
I understand that Luke Daniels wasn't available for this audiobook and David Otey does do a great job... But it took me a good few chapters to get used to the change in readings styles. I ended up mostly reading this book instead as I feel he is unfortunately not quite up to his predecessor.
If Daniels is ever able to come back to read this I would definitely buy it even though I have this copy and a kindle copy. And of course I hope if there is a 4th instalment and we see a return to Daniels' fine work. We can hope...
"Wished they didn't change the narrator"
It took awhile to get used to this Edward...I'm not sure why they changed the narrator but I didn't care for the new narrator.
"Ok, I'm ready for another Edward book!"
I do believe each book gets better. I laughed out loud in parts and teared up in parts. The author does such a good job with the character development that I wish they were real and I could meet them personally.
Yes. The vocalization of Edward and Sheila and the other characters enhanced my enjoyment of the book. Edward's growing ability to open up to others - a remarkable evolution of the main character - comes across so well in the narrator's voice. Edward becomes warmer and more tuned into his emotions as the story develops.
Edward, of course! Craig Lancaster's depiction of Edward's autism in the earlier books (his need for structure, his difficulty with relationships and his resulting anger) makes the character's development in this third book truly remarkable. We readers are pulling for Edward all the way! Sheila and Scott and Hugo are all authentically drawn. And then there's Edward's mother, predictably self-centered but not entirely unsympathetic. To sum up, Edward has a terrific supporting cast.
David Otey's delivery of the dialogue - or rather, the letters to the "kid" - was superb! Along with excellent diction, he has the ability to allow the characters to talk in a conversational, down-to-earth voice. Both Edward and Sheila open up about their own experiences and their anxieties and hopes for their child, and this vulnerability is respected in Otey's delivery. The humorous bits are handled well, too. It must have been hard for the narrator to refrain from chuckling at the "diet soda and Viagra diet" or the scene when Edward gets drunk. Both humor and pathos were delivered believably and well.
I would take Sheila out to dinner. She obviously loves Edward deeply but probably has some frustrations she would likely air. I don't think there would be a lack of conversation over dinner!
Thanks to Audible for making the audio version of Edward Unspooled so easily accessible and technically excellent. I'm certainly recommending it to my friends.
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