Penguin presents the unabridged downloadable audiobook edition of The Girl in the Glass Tower by Elizabeth Fremantle, read by Rachael Stirling and Emily Watson.
Fremantle's The Girl in the Glass Tower is a stunning historical thriller set in the chaos leading up to the death of Elizabeth I.
Tap. Tap. Tap on the window. Something, someone wanting to be heard. Waiting to be free.
Tudor England. The word treason is on everyone's lips. Arbella Stuart, niece to Mary, Queen of Scots, and presumed successor to Elizabeth I, has spent her youth behind the towering windows of Hardwick Hall. As presumed successor to the throne, her isolation should mean protection - but those close to the crown are never safe.
Aemilia Lanyer, writer and poet, enjoys an independence denied to Arbella. Their paths should never cross. But when Arbella enlists Aemilia's help in a bid for freedom, she risks more than her own future. Ensnared in another woman's desperate schemes, Aemilia must tread carefully or share her terrible fate....
The Girl in the Glass Tower brilliantly explores what it means to be born a woman in a man's world, where destiny is strictly controlled and the smallest choices may save - or destroy - us.
©2016 Elizabeth Fremantle (P)2016 Penguin Books Limited
"The research and historical detail are impeccable.... Fans will enjoy this evocation of Elizabeth's tumultuous court." (Times)
"A glamourous tale peopled by warrior poets, flamboyant courtiers and shameless loves. Sharp, perceptive and dramatic." (Sunday Express)
"Fascinating." (History Girls)
"The combination of depth, intelligence and real historical imagination that Fremantle brings to bear on the lesser-known (but immensely powerful) women of the Tudor era is unmatched." (Manda Scott)
"A wonderful, totally transporting novel that folds you into its world, word by word, page by page. I absolutely loved this book." (Eve Chase, acclaimed author of Black Rabbit Hall)
I became interested in the story of Arabella Stuart after visiting Hardwick. This book does tell her real story in a fictional way that is so compelling, I found myself drawn in completely, rooting for her cause, hoping for the happy end she had so deserved.
Great performances for a great book
Animal artist crazy about dogs! Have 2 great rescue retrievers and over the years owned 9. Love audible books, craft & doggy country walks
The story was compelling and the narration excellent. I really cared about the main characters and what was happening to them. To me this is very important in a story for if you are indifferent to them then you tend not to finish the book. I found myself listening to this at every available time. In fact I listened into the wee hours missing out on my sleep but it was worth it!
Elizabeth Freemantle is an accomplished writer and brings the historical stories to life. To me she's on a par to Philippa Gregory another of my favourite writer's.
I would definitely recommend this book!
"Fremantle is a strong writer of historical women."
This particular book The Girl In The Glass Tower picks up during the second chapter. It kept me very interested in what happens to Arebella Stuart. I personally had never heard of Arebella, before so appreciated the lesson. Although a fictional account, Fremantle draws on real historical data and draws together a beautiful tale. I enjoyed it.
I enjoyed this very much! The readers bring the book to life in a very successful way.
"Arbella Stuart and Emilia Lanyer"
Elizabeth Freemantle's novel focuses on two fascinating women who lived in Jacobean England: Lady Arbella Stuart, in line for the throne, and the poet Aemilia Lanyer. The only historical links between the two are that Lanyer dedicated a poem to Arbella, and the two women were at one time both at court and in Queen Anne's coterie. Here, Freemantle has tied their stories together in an engaging, imaginative story.
The real Arbella's life was quite a sad one. Descended from Henry VIII's sister Margaret (and therefore the granddaughter of Henry VII), she was considered a likely successor to Elizabeth I. In addition, her uncle was Lord Darnley, husband of Mary, Queen of Scots, which made Arbella cousin to the future King James. Arbella's father died when she was an infant and her mother when she was only seven; she was raised by her redoubtable grandmother, known as Bess of Hardwicke. In Freemantle's version, Elizabeth named James as her successor because she felt that England had had enough of a female monarch; the truth is that more likely that the queen's advisors, Lord Burghley and his son Robert Cecil, pressed her to favor James. Although extremely well educated, Arbella was infrequently at court, more often kept under her grandmother's thumb at Hardwicke Hall. She showed little interest in becoming queen, but James suspected her of ambitions to the throne. There were several plots in her lifetime to remove James and make her queen, but she was a loyal subject, even revealing one such plot to the king herself. Quite cruelly, both Elizabeth and James kept Arbella from marrying. They used her as bait in several marriage proposals but likely feared that if she produced an heir, that child, too, could become a threat. In 1610, at the age of 35, she secretly married the much younger William Seymour without the king's permission. Arbella was fourth in line to the throne, and Seymour, who also had Tudor ancestors, was sixth; James clearly saw the marriage, adn possible children, as a threat. When James discovered the marriage, he imprisoned them both, Seymour in the Tower of London and Arbella under house arrest. The two were able to exchange letters in secret and planned an ill-fated escape. Seymour succeeded, but the two never met up, and Arbella was captured and imprisoned in the Tower. In despair, she starved herself to death.
Freemantle sticks fairly close to the factual details of Arbella's life but takes a freer hand with Aemilia Lanyer. The facts: Her father, an Italian, was a musician in the court of Elizabeth I. As a child, she was sent to live in the household of the Countess of Kent, where she received an education. Already known as a poet, she frequently stayed at court where she was often called upon to read her work. At the age of 18, Aemilia became the mistress of the queen's cousin, the Earl of Hunsdon. When she became pregnant, she was banished from court, and her family married her off to a first cousin. It was not a happy union, and when her husband died, Lanyer opened a school to support her children. She published her first book of poetry, dedicated to Lady Arbella, at the age of 42 and was frequently called to court to read for Queen Anne. Although Lanyer and Arbella may have been acquainted, there is no evidence of a friendship between them.
Freemantle, however, imagines a sympathy between these two educated, literary-minded women that blossoms into friendship; that is her main invention and the hub of the novel, and Lanyer is inserted into several of the key episodes in Arbella's life. Lanyer is given a personal as well: we see her interactions with neighbors both kind and cruel, her relationship with her son Henry, her efforts to provide for herself as a widow, and more. As the author's creation, she comes alive on the page; as a woman granted a measure of freedom, she becomes a lively counterpoint to the confined and oppressed Arbella, but both serve as reminders of the limitations placed on women at the time.
Overall, the book was a fine combination of fact and fiction, well researched and engagingly written. Highly recommended for fans of historical fiction set in Tudor and Stuart England. I listened to the book on audio, which was wonderfully read by Emily Watson and Rachael Stirling.
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