Aurelio Zen returns to his native Venice to investigate the disappearance of a rich American resident but he soon learns that, amid the hazy light and shifting waters of the lagoon, nothing is what it seems. As Zen is drawn deeper into the complex and ambiguous mysteries surrounding the discovery of a skeletal corpse on an ossuary island in the north lagoon, he is also forced to confront a series of disturbing revelations about his own life.
©1994 Michael Dibdin (P)2014 Audible, Inc.
I love listening to books as don't always have time to read them. Mainly into Spy novels or Funny fantasy novels like the Discworld series.
The plot is good and there is enough to keep you guessing but I didn't like the ending as much as others in the series. The guy who reads it is terrible at doing different voices and they all just sound really nasal.
A grown woman with strong opinions.
It took me back to Venezia.
The pace was ok but why the excessively distorted voices?
Beneath the confusing twists and turns of the mystery are some unattractive views of this famous city. And even more unattractive revelations about the internal politics which always seem to menace Zen.
The prevalent question is, as ever, how is he going to extricate himself and survive with his career intact??!!
"We have found the perfect narrator for Zen and..."
.... the publishers who really should know better, think any good narrator will do.
Cameron Stewart may be an OK straight reader and he totally fails to capture Michael Dibdin's Zen.
Especially as this is Zen returning to Venice.
It is not a more complicated plot, it is not a darker view of the world.
It is the total failure of Cameron Stewart to capture the nuance, the humour, the niavety of our world weary chauvinist, the blatent hypocracy and corruption that flatens the story and characters.
What would he do to 'Cosi Fan Tutti' ( I shudder to think).?
So far no one can best Michael Kitchen as narrator for Dibdin's Zen.
"Language is great"
yes the story is good and the ability of the author to communcate with exciting vivid language is excellent.
The plt was not up front, Therefore the plot was a surprise.
The description of who people and places were were all enthralling.
I read this book mostly because of the language.
It is a must read.
"Worst narrator for female voices"
This barrator is a disaster. Doing female voices is always hard for a male barrator but this narrator is the worst I have heard. I had to stop listening to the audiobook it was so bad. But I also blame the producer(s) for the Zen series: Poor choices were made for narrators and in some novels the narrator speaks with a heavy Italian accent in English although the characters are Italians speaking in Italian. My advice is dont buy any of the series until they find a new narrator and rerecord the series the way it deserves to be done.
"The past is another country, you can only visit."
I am sure I wrote a review earlier. This is one of Michael Dibdin best. Aurelio returns to Venice on a little detour to what perhaps he should be doing. Things have changed and although Aurelio gets to the root of it all, he isn't wanted. He loses, he wins, he is nowhere. Just goes to show you can't go back, it isn't there anymore. This book puts it so nicely. As Aurelio puts it at the end of the book speaking to some tourist, "I'm sorry, I can't help you, I'm a visitor here myself", or something like that. Cameron Stewart isn't Michael Kitchen, but does an adequate job. Love the book, love the series. Worth the listen too.
"The Wrong Narrator"
I came to Zen via the short- lived television series, so try as I might, I couldn't warm to this narrator. I wanted to hear Rufus Sewell. Among the twists and turns in the ingenious plots are
imbeded the rollercoaster of Zen's life and the carnival of Italian politics, all described with a wicked sense of comedy. This narrator totally misses the humor, something the screenwriter and director of the three Zen films did NOT leave out. I wouldn't have liked this audio book if I had not known, from the excellent screenplays, to detect and appreciate the delicious ironies.
After reading three other Aurelio Zen books, I had developed a fondness for Zen (with all his faults and quirks). In Dead Lagoon, I found him to be both dumb and kind of a jerk. The plot and the writing in this book are not nearly as good as the preceding ones in the series.
I might try one more to see if the quality improves.
The voices this narrator uses for the characters are dreadful, especially for the women in the story.
Pass on this one.
"If new to Audible.com, get this book free!"
I love the Dibdin books. The version of this book says it is Michael Kitchen speaking, but it is not. Even so, this is a superb listen. In fact, I have already been through the three other Zen books and thought there were no more. Suddenly, I find this one.
This book is rich. It is like listening to flan with a very subtle caramel sauce dripping off of the edges. There is this rich mixture of Italian mixed in with passionate swear words. There is the elegant analogies. I found myself going back and listening to sections 2-3 times to pick up on the changes in the plot.
Hey, I am not going to spoil it for you. Aurelio is not really Italian. He is Venetian!
Yes. The problem with sitting for 13 hours would be blood collecting in your legs and getting deep vein thrombosis. I'd suggest savoring this listen. Do it 45 minutos a night. You'll enjoy it.
Laguna Morto è delizioso!
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