Revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.
©2004 Bob Dylan; (P)2004 Simon & Schuster Inc. AUDIOWORKS is an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc.
"Volume 1 of Dylan's memoirs was pretty cool to begin with. But to have it read by Sean Penn on audio takes it to a new level: the most talented songwriter of all time as performed by the most talented actor of his generation. Mr. Penn clearly has a blast inhabiting the role and navigating Dylan's jagged, impressionistic prose." (The New York Times)
Artists will enjoy.
Dont usually read music bios.
All worthwhile...desriptions of the creative process I enjoyed very much.
Descriptions of the creative process.
"Positively 4th Street"
It's a warm summer's day in the interlude between summer school and fall quarter in the late 60's. We're all on the front porch of the adobe looking out over the valley. The big event of the day is that eventually the train will ramble by the back fence. The music is Dylan. Some say that if you can remember the 60s, you weren't there. I say that if you can't remember the words to your favorite Dylan tune, you weren't there.
There is a reason that Dylan is considered the poet laureate of the Twentieth Century. And now he's back. Add to that the amazing reading by Sean Penn. Occaisonally you hear in his voice the sing-song verse of Dylan's early work. Occaisonally Penn sounds just like him.
A definite read if you were there (and maybe styill are).
"Perfect hug and sleeping pill"
I have never even seen the written book. The audio might be abridged, however listening to Sean Penn is beyond everything. It is like getting a hug by the "hot-boy" Sean Penn.
It is just like being a very extremly happy listener: Like a fly on the wall.
This is a memoir...
Yes: Over and over and over. It is a sleeping pill with no side effects.
This is a snack bar. Yes: It might be abridged but if you love Sean Penn, Bob Dylan, N.Y.C. then this is highly credit proof. It will always be within the reach of my app.
"Fascinating Book, Lousy Abridgement"
This is a really fine autobiography, with plenty of fascinating insights into what has made Dylan tick. It's great as a companion to the new Martin Scorsese documentary picture No Direction Home, providing more detail, background and color on much of the same material. For my taste, Sean Penn's reading is good, certainly very listenable (even if he doesn't know how to pronounce Don Juan). Unfortunately, the abridgement seems to be terrible, leaving out huge chunks and ruining any sense of continuity. I don't mind the jumping back and forth, but completely excising a whole decade and suddenly Bob has a wife and 5 kids - it doesn't work. Still worth 4 stars for what remains.
If you want to know Bob Dylan, if you've seen Don't Look Back but felt that it scratched the surface and you wanted more, if you want to see how Mr. Dylan saw his relationship to the folk scene, his roots, the milieu that the artist tapped into for creative inspiration and how he responded to it, check out Chronicles Volume 1. It's at one time, a fluid, lucid account, written in as imaginative a style as his most dreamlike work, which may not appeal to some, and at the same time, a disparate journey through the mind of the artist. Almost as much can be learned about him by how he says it, as by what he says. A candid account that strikes a questioning note when you think about the paths he took to get where he wanted to go, and the alternate routes he needed to take to avoid those paths that others wanted him to take and be who others wanted him to be. Do Moon River and polkas really provide the inspiration he says? Or is he still creating that alternate Him, still hiding out? A Dylanesque look into the source of his imagery, fortitude, passion. While I'm not clamoring for the Old Him, I happen to be one of those fans that never made the transition to Mr. Dylan's later works, post John Wesley Harding, but when Volume 2 comes out, it will be high on my list.
"If you enjoy Dylan, You'll love Chronicles"
I first saw Bob Dylan at the Newport Folk Festival in the summer of 1963 and have followed his songs and career with great interest. May be hard to believe but the book is easy listening and superbly read by Sean Penn. You begin to understand the many levels of music, both creating and performing, and the man behind it.
I can?t wait until we get ?Volume Two?.
"Sean Penn does an AMAZING job"
The only reason I rated the overall as four stars instead of five is because this version is abridged. I'm not sure why some sentences and even whole paragraphs were omitted; but I found it distracting.
We all know that Dylan can write lyrics. Now we know he can write prose. This remarkable account of a few selected chapters in his life is absolutely enthralling; revealing more about Dylan than many of us had known before. He's well-known for being cryptic (at the very least) during interview; here he's pretty forthcoming.
I found it very affecting to read how he tried to protect his family and his family life at a time when the public and media were calling for him to come forward as a leader in the cultural wars. He was appalled every time he was reproached for not being what other people wanted him to be. People protested outside his house because of his 'failure' to lead them. There were break-ins. (When I was listening to this, I thought of John Lennon, who was so accommodating to his fans and what finally happened to him....) Dylan just wanted to have his family left alone.
I wonder how Dylan feels now as the same titles are ascribed to him: Voice of His Generation, a towering figure in American culture and a global twentieth-century icon, writer of protest songs and anthems of social movements. From now on, I'll think of him as he once described himself: A song and dance man.
Sean Penn's voice is perfect for this book. If Dylan doesn't narrate his own book, I can't think of anybody better than Penn.
"This book is great, but the reading is abridged.."
Dylan on Dylan! It's brilliant, enlightening and poetic. Unfortunately, this version is abridged; and that is a pity. Now I have to get the unabridged version. This is a document that cannot be read except in full. A life is in full, Dylan's life is fuller than most; and an abridgment is unexcusable. More so when read immaculately by Sean Penn.
Sean Penn has done a marvelous job , but the abridged narration is too hurried and doesnt do justice to the listener. I strongly recommend audible to put up the complete version.
The abridged version had just a paragraph on Joan Baez , disappointing for me.
Sean Penn is fabulous.
Sure.. the complete version
"More Chronic than Chronicles unfortunately......."
Although potentially interesting material I found it rather unexciting rendition of Dylan's life. One hopes it was more than his pursuit of a musical career, considering his great contribution to the scene over many decades. Maybe this medium is not his best and he best communicates through his lyrics and songs. Sean Penn sounded a bit Dylanish but I might have preferred to have listened to Dylan's undeciferable drawl than his. He did not really 'lift' the story as much as I would have hoped. A missed opportunity.
No. Keith Richards book was very interesting.
Lack of enthusiasm
I suspect I will still listen to Chronicles 2 etc. but I hope his later years are a bit more enlightening.
"If only it weren't abridged"
I've been a fan of Dylan for years, and looked forward to this book to learn more about him.
I did get a feeling of his early life in NY. Felt the frustration when he wanted to simply enjoy his family, while critics and crowds pushed him to lead the charge and bring songs of their generation/ Then touring with Tom Petty/Dead, and the recording in New Orlenas. The narration then goes back to Minneapolis, then NY and his first contract with Columbia.
I felt the book made huge, disjointed leaps from one point to another, which may be because it was abridged. I was so excited about the title, that I did not notice this, or I would not have bought it.
Penn does a great job of narration. I'm just disappointed I didn't get the whole story.
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