©1994 by Donald Clarke; (P)1997 by Blackstone Audiobooks
"A thoroughly riveting account of Holiday and her milieu." (New York Newsday)
"May be the most thoroughly valuable of the many books on Holiday." (The New York Times Book Review)
Local Government Officer, listens to audiobooks whilst commuting, loves Biographies of quintessentially English eccentrics.
An extremely detailed and often harrowing look at Billie's life. Too lengthy and detailed in places. The reader does a good job but drones a bit in places. A fascinating insight into some of the great musicians she played with and their vices. Just needed pruning down a bit.
A huge fan of audiobooks and particularly fantasy and crime.
A lively and vivid account of the life and art of lady day.
The level of detail both about her life and recordings was fascinating.
The ending was particularly poignant .
It made me laugh often.
"Good Biography, Tedious Discography"
I enjoyed this book very much. Lady was a fascinating person. The only problem with the book (to me) was that there were too many details about recording sessions. I don't really care who played drums on which song at which session. However, the rest of the book was great. The narrator was perfect for the material. The language in the book can be pretty salty so be advised if listening out loud. All in all a good bio.
"It has been a struggle."
I have found this book to jump all over the place. I have lost track of who is saying what about whom. I am only 4 hours into it, am lost and at the moment cannot listen further.
"Comment on the other reviews."
Normally I wouldn't comment on other reviews. Opinions are opinions, after all. But, in this case, I feel it's worthwhile.
First off, with regard to the discographical information. This is a book about a musician. You're going to get information about who she played with. It matters to the story because it puts Holliday's recordings in context. In the case of Billie Holiday, I think it's especially important because singers were often seen as something less than musicians prior to Holiday changing the game. To know the level of musicians she associated with tells us that they thought of her as a peer, not merely a singer. At any rate, I hardly feel like this information is over done or over bearing. The material is always presented in the context of the narrative. It's not like we're just presented with lists of dates and names.
Secondly, that the narrator Anna Fields is affecting a "black" accent (whatever that is supposed to be) is absurd. Listen to a clip of Ms. Fields reading anything else. What you're hearing is her voice. I find it to be perfectly pleasant for the material. Different strokes and all that, but I don't see this one at all.
To the third point, that it is sometimes difficult to follow who is talking about whom, this is a point I will agree with. However, the author states in his introduction, he's had to rely heavily on transcripts of interviews made by someone else twenty years prior where only the answers were recorded. It stands to reason there'd be some confusion in what is already a pretty confusing story. Maybe it reads better, maybe it's the writing.
At any rate, I found this book to be pretty engrossing. Holiday's story is very complicated, much by her own doing, and this book makes a good attempt to cut through the myth and get to the truth. Clarke does a good job balancing Holiday the artist and her personal life, as you really can't have one without the other. I do wonder, as I commented earlier, if this wouldn't be an easier read than listen due to the convoluted nature of much of the source material. But I can still recommend this to anyone with an interest in the great Lady Day.
"Couldn't get past 2 hours."
The narration: why have a white woman trying to speak in a black accent??
See my comments above.
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