A most unusual and compelling story which paints a disturbing and moving portrait of India. The narration is superb and gives the listener a memorable experience. Highly recommended
Humorous and dark. This story is gripping and entertaining and the style of the book is perfectly suited to the audio format. I whole-heartedly recommend it.
In common with the other reviewers I was hooked by the picture painted of India by Aravind Adiga who, by virtue of his Indian nationality but international career, seems particularly well qualified to paint it. The choice of Bindya Solanki to read it is an interesting one - why a woman, when the main character is an adult male for much of the book? That said, Bindya Solanki produces a good range of voices and accents which in themselves are a source of pleasure to listen to; but she also makes a number of misinterpretations of the meaning, in fact small mistakes which one would have expected to be edited and corrected in a recording of this price. Well worth getting as a Member's Credit purchase, not worth paying full price.
Classics,contemporary fiction, Politics, Philosophy, Economics - a weekly eye on The New Yorker & The Guardian and dense word style/play.
Approached initially on the terms that Aravind Adiga set out himself ? it is important that writers like me try to highlight the brutal injustices of society (Indian). That's what I'm trying to do ? it is not an attack on the country, it's about the greater process of self-examination - this is an entrepreneurial endeavour that undoubtedly pays dividends for the body of post-post colonial fiction.
Having spent time in New Delhi amongst the self-proclaimed entrepreneurs and, co-incidentally the seemingly much more resourceful drivers of the blacked out 4 x 4?s, White Tiger reflects a jarring but accurate picture of a society in emergence ? having moved on from emergency.
We know from the works of Satyajit Ray that there is great dignity in poverty, but Adiga?s work hammers away at the notion that spirituality in this great country has been outsourced. Underneath it all, of course, is a great sensitivity on which this important mission is based an on which the self-important narration of the detail drawn central character sits.
However, in India, the neon strip does not yet outshine the candle light when it comes to artistic intention....we have an important new voice to continue the sub-continental dialogue and a clear expectation of more great things to come.
This is a step outside of my usual genre's and I loved it. Each time I stopped listening I looked forward to the opportunity to hear more. An interesting insight into the other side of the new India. I thought the readers accent also added to the effect of putting me in Balarams shoes.
This was my first audible book and I really enjoyed it. There was a good balance of interesting story line as well as some cultural enlightenment. Some funny parts made it entertaining and the clever storyline made the book gripping. To be recommended.
Wonderful introduction into an India one never hears of. The story is both compelling and appalling at the same time. The narrator could have been better chosen but this did not take away from the plot.
A gripping story offering insights into the underbelly of Indian culture. However, the effect is dimished by the reader who sounds very much like she is reading the story for the first time, complete with incorrect pauses and mispronunciations.
I had high hopes for this book. I love India and have travelled there a lot, I also love to read about it. My brother recommended this book so I was keen to try it. After the first 2 chapters I wasn't sure but thought I would stick with it, However, I was ultimately a bit disappointed. The reader didn't really help to enthuse me. Didn't like the main character too much and the pace was slow. The story had potential but didn't really do it for me. It was just ok.
The book probably deserves three for the story line. But the narration was so awful, I wouldn't recommend the audiobook. I think it was reasonable to have a female voice narrating for a boy. But the accent was overdone, often similar across characters and, conversation was often mixed up with prose.
The main character isn't plausible. The only way to make the story work is to make the assumption that much of what is going on in his head to explain his behaviour is untold. Moreover very little in the story told allows any inferences to be made. It's an account of events which seems to promise more, but doesn't deliver.